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Today's Stichomancy for Eric Bana

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Reason Discourse by Rene Descartes:

round are more conveniently closed with three. Besides, I wish such persons to observe that the grand artery and the arterial vein are of much harder and firmer texture than the venous artery and the hollow vein; and that the two last expand before entering the heart, and there form, as it were, two pouches denominated the auricles of the heart, which are composed of a substance similar to that of the heart itself; and that there is always more warmth in the heart than in any other part of the body- and finally, that this heat is capable of causing any drop of blood that passes into the cavities rapidly to expand and dilate, just as all liquors do when allowed to fall drop by drop into a highly heated vessel.

For, after these things, it is not necessary for me to say anything more


Reason Discourse
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In a German Pension by Katherine Mansfield:

"Here, you, what are you doing down there?" cried the Frau, from the top of the stairs. "The baby's fallen off the settle, and got a bump as big as an egg over his eye. Come up here, and I'll teach you!"

"It wasn't me--it wasn't me!" screamed the Child, beaten from one side of the hall to the other, so that the potatoes and beetroot rolled out of her skirt.

The Frau seemed to be as big as a giant, and there was a certain heaviness in all her movements that was terrifying to anyone so small.

"Sit in the corner, and peel and wash the vegetables, and keep the baby quiet while I do the washing."

Whimpering she obeyed, but as to keeping the baby quiet, that was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from God The Invisible King by H. G. Wells:

God with a hand or a foot already torn away from its nail, and with eyes not downcast but resolute against the sky; a face without pain, pain lost and forgotten in the surpassing glory of the struggle and the inflexible will to live and prevail. . . .

But we do not care how long the thorns are drawn, nor how terrible the wounds, so long as he does not droop. God is courage. God is courage beyond any conceivable suffering.

But when all this has been said, it is well to add that it concerns the figure of Christ only in so far as that professes to be the figure of God, and the crucifix only so far as that stands for divine action. The figure of Christ crucified, so soon as we think

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

annuitants are secure from those distressing fears which sadden old age,--too sad already!--fears which pursue those who receive annuities from private sources. You see, Monsieur, that we have estimated life under all its aspects."

"Sucked it at both ends," said the lunatic. "Take another glass of wine. You've earned it. You must line your inside with velvet if you are going to pump at it like that every day. Monsieur, the wine of Vouvray, if well kept, is downright velvet."

"Now, what do you think of it all?" said Gaudissart, emptying his glass.

"It is very fine, very new, very useful; but I like the discounts I