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Today's Stichomancy for Erwin Schroedinger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tanach:

Ezekiel 33: 31 and come unto thee as the people cometh, and sit before thee as My people, and hear thy words, but do them not--for with their mouth they show much love, but their heart goeth after their covetousness;

Ezekiel 33: 32 and, lo, thou art unto them as a love song of one that hath a pleasant voice, and can play well on an instrument; so they hear thy words, but they do them not--

Ezekiel 33: 33 when this cometh to pass--behold, it cometh--then shall they know that a prophet hath been among them.'

Ezekiel 34: 1 And the word of the LORD came unto me, saying:

Ezekiel 34: 2 'Son of man, prophesy against the shepherds of Israel, prophesy, and say unto them, even to the shepherds: Thus saith the Lord GOD: Woe unto the shepherds of Israel that have fed themselves! should not the shepherds feed the sheep?

Ezekiel 34: 3 Ye did eat the fat, and ye clothed you with the wool, ye killed the fatlings; but ye fed not the sheep.

Ezekiel 34: 4 The weak have ye not strengthened, neither have ye healed that which was sick, neither have ye bound up that which was broken, neither have ye brought back that which was driven away, neither have ye sought that which was lost; but with force have ye ruled over them and with rigour.

Ezekiel 34: 5 So were they scattered, because there was no shepherd; and they became food to all the beasts of the field, and were scattered.


The Tanach
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Salome by Oscar Wilde:

SALOME. Tout ce que je vous demanderai, fut-ce la moitie de votre royaume?

HERODIAS. Ne dansez pas, ma fille.

HERODE. Fut-ce la moitie de mon royaume. Comme reine, tu serais tres belle, Salome, s'il te plaisait de demander la moitie de mon royaume. N'est-ce pas qu'elle serait tres belle comme reine? . . . Ah! il fait froid ici! il y a un vent tres froid, et j'entends . . . pourquoi est-ce que j'entends dans l'air ce battement d'ailes? Oh! on dirait qu'il y a un oiseau, un grand oiseau noir, qui plane sur la terrasse. Pourquoi est-ce que je ne peux pas le voir, cet oiseau? Le battement de ses ailes est terrible. Le vent qui vient

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

it equally if they were of no kin to one another, or it is a more or less morbid survival of the nursing passion; for affection between adults (if they are really adult in mind and not merely grown-up children) and creatures so relatively selfish and cruel as children necessarily are without knowing it or meaning it, cannot be called natural: in fact the evidence shews that it is easier to love the company of a dog than of a commonplace child between the ages of six and the beginnings of controlled maturity; for women who cannot bear to be separated from their pet dogs send their children to boarding schools cheerfully. They may say and even believe that in allowing their children to leave home they are sacrificing themselves for their

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Cavalry General by Xenophon:

best arrangement would be, in the first place, that the troops should fill the entire space with extended front, so forcing out the mob of people from the centre;[17] and secondly, that in the sham fight[18] which ensues, the tribal squadrons, swiftly pursuing and retiring, should gallop right across and through each other, the two hipparchs at their head, each with five squadrons under him. Consider the effect of such a spectacle: the grim advance of rival squadrons front to front; the charge; the solemn pause as, having swept across the hippodrome, they stand once more confronting one another; and then the trumpet sounds, whereat a second and yet swifter hostile advance, how fine the effect!--and once again they are at the halt; and once again