| The first excerpt represents the past or something you must release, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy: seemed astir with happy excitement. Double lines of soldiers,
both horse and foot, lined the way from the gates to the
entrance. In the great hall the lord chancellor, foreign
ambassadors, judges, and councillors of state awaited to pay
homage to their majesties; whilst in various apartments were the
nobility and men of quality, with their ladies, ranged according
to their rank, being all eager to kiss the new queen's hand.
Sure never was such show of gladness. Bells rang people cheered,
bonfires blazed.
In the evening news was brought that the Duchess of York was
being rowed to Hampton from town; hearing which, the king, with a
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass: get work. I thought of going to Canada; but he de-
cided against it, and in favor of my going to New
Bedford, thinking I should be able to get work there
at my trade. At this time, Anna,* my intended wife,
came on; for I wrote to her immediately after my
arrival at New York, (notwithstanding my homeless,
houseless, and helpless condition,) informing her of
my successful flight, and wishing her to come on
forthwith. In a few days after her arrival, Mr. Rug-
gles called in the Rev. J. W. C. Pennington, who, in
the presence of Mr. Ruggles, Mrs. Michaels, and
 The Narrative of the Life of Frederick Douglass: An American Slave |
The third excerpt represents the future or something you must embrace, and is drawn from Songs of Innocence and Experience by William Blake: The sexes sprung from shame and pride,
Blowed in the morn, in evening died;
But mercy changed death into sleep;
The sexes rose to work and weep.
Thou, mother of my mortal part,
With cruelty didst mould my heart,
And with false self-deceiving tears
Didst blind my nostrils, eyes, and ears,
Didst close my tongue in senseless clay,
And me to mortal life betray.
The death of Jesus set me free:
 Songs of Innocence and Experience |