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Today's Stichomancy for Erwin Schroedinger

The first excerpt represents the past or something you must release, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

As I ascended the mountain-side, I came once more to overlook the upper surface of the fog; but it wore a different appearance from what I had beheld at daybreak. For, first, the sun now fell on it from high overhead, and its surface shone and undulated like a great nor'land moor country, sheeted with untrodden morning snow. And next the new level must have been a thousand or fifteen hundred feet higher than the old, so that only five or six points of all the broken country below me, still stood out. Napa valley was now one with Sonoma on the west. On the hither side, only a thin scattered fringe of bluffs was unsubmerged; and through all

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Wuthering Heights by Emily Bronte:

'His father died in debt,' he said; 'the whole property is mortgaged, and the sole chance for the natural heir is to allow him an opportunity of creating some interest in the creditor's heart, that he may be inclined to deal leniently towards him.'

When I reached the Heights, I explained that I had come to see everything carried on decently; and Joseph, who appeared in sufficient distress, expressed satisfaction at my presence. Mr. Heathcliff said he did not perceive that I was wanted; but I might stay and order the arrangements for the funeral, if I chose.

'Correctly,' he remarked, 'that fool's body should he buried at the cross-roads, without ceremony of any kind. I happened to leave him


Wuthering Heights
The third excerpt represents the future or something you must embrace, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

The sweet little wife of the singer said, On the day that follow'd the day she was wed, `Whither O whither love shall we go?' And the singer shaking his curly head Turn'd as he sat, and struck the keys There at his right with a sudden crash, Singing, `and shall it be over the seas With a crew that is neither rude nor rash, But a bevy of Eroses apple-cheek'd, In a shallop of crystal ivory-beak'd, With a satin sail of a ruby glow,