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Today's Stichomancy for Eva Mendes

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Prince of Bohemia by Honore de Balzac:

and noble family so brilliant even as far back as 1100, centuries before they took the French title--for the Rusticoli had given a pope to the church and twice revolutionized the kingdom of Naples--so illustrious again under the Valois; so dexterous in the days of the Fronde, that obstinate Frondeurs though they were, they still existed through the reign of Louis XIV. Mazarin favored them; there was the Tuscan strain in them still, and he recognized it.

"Today, when Charles Edward de la Palferine's name is mentioned, not three persons in a hundred know the history of his house. But the Bourbons have actually left a Foix-Grailly to live by his easel.

"Ah, if you but knew how brilliantly Charles Edward accepts his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herland by Charlotte Gilman:

only clear to me many years after, when we were so wholly at one on this subject that I could laugh at my own predicament then. It was this: You see, with us, women are kept as different as possible and as feminine as possible. We men have our own world, with only men in it; we get tired of our ultra-maleness and turn gladly to the ultra-femaleness. Also, in keeping our women as feminine as possible, we see to it that when we turn to them we find the thing we want always in evidence. Well, the atmosphere of this place was anything but seductive. The very numbers of these human women, always in human relation, made them anything but alluring. When, in spite of this, my hereditary


Herland
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Where There's A Will by Mary Roberts Rinehart:

that, Minnie, where those tights are, my letters are!"

I glanced at the pantry, where her letters were hidden on the upper shelf. The door was closed.

"But--but what would she want with the letters?" I asked, with my teeth fairly hitting together. Miss Cobb pushed her forefinger into my shoulder.

"To blackmail me," she said, in a tragic voice, "or perhaps to publish. I've often thought of that myself--they're so beautiful. Letters from a life insurance agent to his lady- love--interesting, you know, and alliterative. As for that woman--!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Juana by Honore de Balzac:

Captain Montefiore had one friend in the person of the quartermaster, --a Provencal, born in the neighborhood of Nice, whose name was Diard. A friend, whether at the galleys or in the garret of an artist, consoles for many troubles. Now Montefiore and Diard were two philosophers, who consoled each other for their present lives by the study of vice, as artists soothe the immediate disappointment of their hopes by the expectation of future fame. Both regarded the war in its results, not its action; they simply considered those who died for glory fools. Chance had made soldiers of them; whereas their natural proclivities would have seated them at the green table of a congress. Nature had poured Montefiore into the mould of a Rizzio, and Diard