| The first excerpt represents the past or something you must release, and is drawn from The Mysterious Island by Jules Verne: unfortunate, since Ayrton, or Ben Joyce, as he may be called, guided it,
sometimes preceded, sometimes followed by his band of convicts, who had
been told what they had to do.
"Meanwhile, the 'Duncan' had been sent to Melbourne for repairs. It was
necessary, then, to get Lord Glenarvan to order her to leave Melbourne and
go to the east coast of Australia, where it would be easy to seize her.
After having led the expedition near enough to the coast, in the midst of
vast forests with no resources, Ayrton obtained a letter, which he was
charged to carry to the mate of the 'Duncan'--a letter which ordered the
yacht to repair immediately to the east coast, to Twofold Bay, that is to
say a few days' journey from the place where the expedition had stopped. It
 The Mysterious Island |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Blix by Frank Norris: end Blix had to help him out, disentangling the lines foot by foot
with a patience that seemed to Condy little short of superhuman.
At nine o'clock she said decisively:
"Do you know what time we must get up in the morning if we are to
have breakfast and get the seven-forty train? Quarter of six by
the latest, and YOU must get up earlier than that, because you're
at the hotel and have further to go. Come here for breakfast,
and--listen--be here by half-past six--are you LISTENING, Condy?--
and we'll go down to the depot from here. Don't forget to bring
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The third excerpt represents the future or something you must embrace, and is drawn from Middlemarch by George Eliot: Mr. Brooke threw his head and shoulders backward as if some one
had thrown a light missile at him. Dorothea immediately felt
some self-rebuke, and said--
"I mean in the light of a husband. He is very kind, I think--really
very good about the cottages. A well-meaning man."
"But you must have a scholar, and that sort of thing? Well, it lies
a little in our family. I had it myself--that love of knowledge,
and going into everything--a little too much--it took me too far;
though that sort of thing doesn't often run in the female-line;
or it runs underground like the rivers in Greece, you know--it
comes out in the sons. Clever sons, clever mothers. I went
 Middlemarch |