| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from She Stoops to Conquer by Oliver Goldsmith: man in his own house?
MARLOW. Yes, sir, supper, sir; I begin to feel an appetite. I shall
make devilish work to-night in the larder, I promise you.
HARDCASTLE. (Aside.) Such a brazen dog sure never my eyes beheld.
(To him.) Why, really, sir, as for supper I can't well tell. My
Dorothy and the cook-maid settle these things between them. I leave
these kind of things entirely to them.
MARLOW. You do, do you?
HARDCASTLE. Entirely. By the bye, I believe they are in actual
consultation upon what's for supper this moment in the kitchen.
MARLOW. Then I beg they'll admit me as one of their privy council.
 She Stoops to Conquer |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Emerald City of Oz by L. Frank Baum: "Why, it's like a picture puzzle!" exclaimed the little girl.
"Let's find the rest of him, and get him all together."
"What's the rest of him like?" asked the Wizard. "Here are some
pieces of blue legs and green arms, but I don't know whether they are
his or not."
"Look for a white shirt and a white apron," said the head which had
been put together, speaking in a rather faint voice. "I'm the cook."
"Oh, thank you," said Dorothy. "It's lucky we started you first, for
I'm hungry, and you can be cooking something for us to eat while we
match the other folks together."
It was not so very difficult, now that they had a hint as to how the
 The Emerald City of Oz |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Deserted Woman by Honore de Balzac: declines to acknowledge any of the novel powers created by the
nineteenth century, pointing out to you as a political monstrosity the
fact that the prime minister is a man of no birth. His wife takes a
decided tone, and talks in a loud voice. She has had adorers in her
time, but takes the sacrament regularly at Easter. She brings up her
daughters badly, and is of the opinion that they will always be rich
enough with their name.
Neither husband nor wife has the remotest idea of modern luxury. They
retain a livery only seen elsewhere on the stage, and cling to old
fashions in plate, furniture, and equipages, as in language and manner
of life. This is a kind of ancient state, moreover, that suits
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs: the trees toward him. The shot struck the creature in the belly
where there was no protecting armor, eliciting a new note which
rose in a shrill whistle and ended in a wail. It was then that
Tippet appeared to come out of his trance, for with a cry of
terror he turned and fled to the left. Bradley, seeing that he
had as good an opportunity as the others to escape, now turned his
attention to extricating himself; and as the woods seemed dense
on the right, he ran in that direction, hoping that the close-set
boles would prevent pursuit on the part of the great reptile.
The dragon paid no further attention to him, however, for Tippet's
sudden break for liberty had attracted its attention; and after
 Out of Time's Abyss |