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Today's Stichomancy for Famke Janssen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eryxias by Platonic Imitator:

them at all or went away again as soon as it appeared; and we may therefore conclude that medicine is the science which is useful for getting rid of disease. But if we are further asked, What is that from which, if we were free, we should have no need of wealth? can we give an answer? If we have none, suppose that we restate the question thus:--If a man could live without food or drink, and yet suffer neither hunger nor thirst, would he want either money or anything else in order to supply his needs?

ERYXIAS: He would not.

SOCRATES: And does not this apply in other cases? If we did not want for the service of the body the things of which we now stand in need, and heat and cold and the other bodily sensations were unperceived by us, there

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dunwich Horror by H. P. Lovecraft:

stupendous bulk of the horror; whilst the conformation of the tracks seemed to argue a passage in two directions, as if the moving mountain had come from Cold Spring Glen and returned to it along the same path. At the base of the hill a thirty-foot swath of crushed shrubbery saplings led steeply upwards, and the seekers gasped when they saw that even the most perpendicular places did not deflect the inexorable trail. Whatever the horror was, it could scale a sheer stony cliff of almost complete verticality; and as the investigators climbed round to the hill's summit by safer routes they saw that the trail ended - or rather, reversed - there.


The Dunwich Horror
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

special, so-called "literary" interests, I am convinced, we have few points of contact. Your whole being stretches out hands toward the future; mine is built up in the past. For me to follow you is impossible. For you to follow me is equally out of the question. You are too far removed from me, and besides, you stand too firmly on your own legs to become any one's disciple. I can assure you that I never attributed any malice to you, never suspected you of any literary envy. I have often thought, if you will excuse the expression, that you were wanting in common sense, but never in goodness. You are too penetrating not to know that if either of us has cause to envy the other, it is certainly not you that has cause

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Some Reminiscences by Joseph Conrad:

of some standing then in the south, he had also read deeply the authors of the eighteenth century. In him Christian charity was joined to a philosophical indulgence for the failings of human nature. But the memory of these miserably anxious early years, his young man's years robbed of all generous illusions by the cynicism of the sordid lawsuit, stood in the way of forgiveness. He never succumbed to the fascination of the great shoot; and X, his heart set to the last on reconciliation with the draft of the will ready for signature kept by his bedside, died intestate. The fortune thus acquired and augmented by a wise and careful management passed to some distant relatives whom he had never


Some Reminiscences