| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Augsburg Confession by Philip Melanchthon: greatest stress on this article, putting aside the Law and
human traditions, in order to show that Christian
righteousness is something else than such works, to wit, the
faith which believes that sins are freely forgiven for
Christ's sake. But this doctrine of Paul has been almost
wholly smothered by traditions, which have produced an opinion
that, by making distinctions in meats and like services, we
must merit grace and righteousness. In treating of repentance,
there was no mention made of faith; only those works of
satisfaction were set forth; in these the entire repentance
seemed to consist.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Little Rivers by Henry van Dyke: thing could be done. I remember a pair of good trout that rose
together just as we were going through a boiling rapid; and it
tried the strength of my split-bamboo rod to bring those fish to
the net against the current and the motion of the boat.
When nightfall approached we let go the anchor (to wit, a rope tied
to a large stone on the shore), ate our dinner "with gladness and
singleness of heart" like the early Christians, and slept the sleep
of the just, lulled by the murmuring of the waters, and defended
from the insidious attacks of the mosquito by the breeze blowing
down the river and the impregnable curtains over our beds. At
daybreak, long before Favonius and I had finished our dreams, we
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Aeneid by Virgil: Vain vows to Heav'n, and unavailing care!
Thrice happy thou, dear partner of my bed,
Whose holy soul the stroke of Fortune fled,
Praescious of ills, and leaving me behind,
To drink the dregs of life by fate assign'd!
Beyond the goal of nature I have gone:
My Pallas late set out, but reach'd too soon.
If, for my league against th' Ausonian state,
Amidst their weapons I had found my fate,
(Deserv'd from them,) then I had been return'd
A breathless victor, and my son had mourn'd.
 Aeneid |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of Unrest by Joseph Conrad: through the door of the storeroom, congregated round the grave,
pointed understandingly at the cross, and generally made themselves
at home.
"I don't like those chaps--and, I say, Kayerts, they must be from the
coast; they've got firearms," observed the sagacious Carlier.
Kayerts also did not like those chaps. They both, for the first time,
became aware that they lived in conditions where the unusual may be
dangerous, and that there was no power on earth outside of themselves
to stand between them and the unusual. They became uneasy, went in and
loaded their revolvers. Kayerts said, "We must order Makola to tell
them to go away before dark."
 Tales of Unrest |