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Today's Stichomancy for Federico Fellini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When the World Shook by H. Rider Haggard:

suppose it was, had resisted the fury of the flash. Only now it was white instead of black, like a burnt onyx that had known the funeral pyre. Indeed, perhaps it was an onyx. I kissed it and hid it away, for it seemed to me to convey a greeting and with it a promise.

Then we started, a very sad and dejected trio. Leaving with a shudder that vast place where the blue lights played eternally, we came to the shaft up and down which the travelling stone pursued its endless path, and saw it arrive and depart again.

"I wonder he did not send us that way," said Bickley, pointing to it.


When the World Shook
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

For Locrine hath forsaken Gwendoline, And learnt to love proud Humber's concubine. You happy sprites, that in the concave sky With pleasant joy enjoy your sweetest love, Shed forth those tears with me, which then you shed, When first you would your ladies to your wills. Those tears are fittest for my woeful case, Since Locrine shuns my nothing pleasant face. Blush heavens, blush sun, and hide thy shining beams; Shadow thy radiant locks in gloomy clouds; Deny thy cheerful light unto the world,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

man. Of course, if he did that, he might then dictate terms on the threat of assassinating them all. But--Sooner or later he must sleep! . . . .

He tried also to find food among the pine trees, to be comfortable under pine boughs while the frost fell at night, and-- with less confidence--to catch a llama by artifice in order to try to kill it--perhaps by hammering it with a stone--and so finally, perhaps, to eat some of it. But the llamas had a doubt of him and regarded him with distrustful brown eyes and spat when he drew near. Fear came on him the second day and fits of shivering. Finally he crawled down to the wall of the Country of the Blind and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

other words all Wieroos are born male, and so they prey upon the Galus for their women and sometimes capture and torture the Galu men who are cos-ata-lu in an endeavor to learn the secret which they believe will give them unlimited power over all other denizens of Caspak.

No Wieroos come up from the beginning--all are born of the Wieroo fathers and Galu mothers who are cos-ata-lo, and there are very few of the latter owing to the long and precarious stages of development. Seven generations of the same ancestor must come up from the beginning before a cos-ata-lu child may be born; and when one considers the frightful dangers that surround the


Out of Time's Abyss