| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of Writing by Robert Louis Stevenson: purely ornamental; whether, if it be purely ornamental, it
may not weaken or obscure the general design; and finally,
whether, if we decide to use it, we should do so grossly and
notably, or in some conventional disguise: are questions of
plastic style continually rearising. And the sphinx that
patrols the highways of executive art has no more
unanswerable riddle to propound.
In literature (from which I must draw my instances) the great
change of the past century has been effected by the admission
of detail. It was inaugurated by the romantic Scott; and at
length, by the semi-romantic Balzac and his more or less
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Research Magnificent by H. G. Wells: idleness and self-indulgence; it does at least bear its proper
label. It is reprehensible. It brings your careless honour to the
challenge of concealment and shabby evasions and lies. . . .
But in this pellucid air things took their proper proportions again.
And now what was he to do?
"Politics," he said aloud to the turf and the sky.
Is there any other work for an aristocratic man? . . . Science?
One could admit science in that larger sense that sweeps in History,
or Philosophy. Beyond that whatever work there is is work for which
men are paid. Art? Art is nothing aristocratic except when it is a
means of scientific or philosophical expression. Art that does not
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