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Today's Stichomancy for Francis Ford Coppola

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge DID crumple up I'd want to SEE it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people I think they like it. That water looks as if it


Anne of Green Gables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Message by Honore de Balzac:

interest, and truly, it was not difficult to imagine him the hero of a very serious love affair. Picture to yourselves a young man of middle height, but very well proportioned, a bright, expressive face, dark hair, blue eyes, moist lips, and white and even teeth. A certain not unbecoming pallor still overspread his delicately cut features, and there were faint dark circles about his eyes, as if he were recovering from an illness. Add, furthermore, that he had white and shapely hands, of which he was as careful as a pretty woman should be; add that he seemed to be very well informed, and was decidedly clever, and it should not be difficult for you to imagine that my traveling companion was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Hero of Our Time by M.Y. Lermontov:

certain magnetic power, and each time they looked at me they appeared to be expecting a question. But I had only to open my lips to speak, and away she would run, with a sly smile.

Certainly never before had I seen a woman like her. She was by no means beautiful; but, as in other matters, I have my own prepossessions on the subject of beauty. There was a good deal of breeding in her. . . Breeding in women, as in horses, is a great thing: a discovery, the credit of which belongs to young France. It --

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Menexenus by Plato:

barbarians in the common interest of Hellas. Time would fail me to tell of their defence of their country against the invasion of Eumolpus and the Amazons, or of their defence of the Argives against the Cadmeians, or of the Heracleids against the Argives; besides, the poets have already declared in song to all mankind their glory, and therefore any commemoration of their deeds in prose which we might attempt would hold a second place. They already have their reward, and I say no more of them; but there are other worthy deeds of which no poet has worthily sung, and which are still wooing the poet's muse. Of these I am bound to make honourable mention, and shall invoke others to sing of them also in lyric and other strains, in a manner becoming the actors. And first I will tell