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Today's Stichomancy for Franz Kafka

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Middlemarch by George Eliot:

broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background


Middlemarch
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

floor. If the Otis family did not want it, they clearly did not deserve it. They were evidently people on a low, material plane of existence, and quite incapable of appreciating the symbolic value of sensuous phenomena. The question of phantasmic apparitions, and the development of astral bodies, was of course quite a different matter, and really not under his control. It was his solemn duty to appear in the corridor once a week, and to gibber from the large oriel window on the first and third Wednesday in every month, and he did not see how he could honourably escape from his obligations. It is quite true that his life had been very evil, but, upon the other hand, he was most conscientious in all things connected with

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herland by Charlotte Gilman:

but as people; people of all sorts, doing every kind of work.

This outbreak of Terry's, and the strong reaction against it, gave us a new light on their genuine femininity. This was given me with great clearness by both Ellador and Somel. The feeling was the same--sick revulsion and horror, such as would be felt at some climactic blasphemy.

They had no faintest approach to such a thing in their minds, knowing nothing of the custom of marital indulgence among us. To them the one high purpose of motherhood had been for so long the governing law of life, and the contribution of the father, though known to them, so distinctly another method to the same end,


Herland
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Scaramouche by Rafael Sabatini:

shortness.

"For lack of a better," said Andre-Louis.

"Overwhelmed more than ever." Polichinelle's bow was superb this time. "Faith, I think I'll take the air to cool me after so much blushing."

"Go to the devil," Binet flung at him.

"Better and better." Polichinelle made for the door. On the threshold he halted and struck an attitude. "Understand me, Binet. I do not now play Scaramouche in any circumstances whatever." And he went out. On the whole, it was a very dignified exit.

Andre-Louis shrugged, threw out his arms, and let them fall to his