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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierre Grassou by Honore de Balzac:

brush, my good Fougeres, you had better leave colors with Brullon, and not take the canvas of others. Go home early, put on your cotton night-cap, and be in bed by nine o'clock. The next morning early go to some government office, ask for a place, and give up art."

"My dear friend," said Fougeres, "my picture is already condemned; it is not a verdict that I want of you, but the cause of that verdict."

"Well--you paint gray and sombre; you see nature being a crape veil; your drawing is heavy, pasty; your composition is a medley of Greuze, who only redeemed his defects by the qualities which you lack."

While detailing these faults of the picture Schinner saw on Fougeres' face so deep an expression of sadness that he carried him off to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Heritage of the Desert by Zane Grey:

burros, blankets spread under the cottonwoods. When the afternoon waned and the shade from the western wall crept into the oasis, August Naab came from his cabin clad in buckskins, with a large blue Colt swinging handle outward from his left hip. He ordered his sons to replenish the fire which had been built in the circle, and when the fierce-eyed Indians gathered round the blaze he called to his women to bring meat and drink.

Hare's unnatural calmness had prevailed until he saw Naab stride out to front the waiting Indians. Then a ripple of cold passed over him. He leaned against a tree in the shadow and watched the gray-faced giant stalking to and fro before his Indian friends. A long while he strode in the circle of light to pause at length before the chieftains and to break


The Heritage of the Desert
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moran of the Lady Letty by Frank Norris:

and whale-oil; the ambergris; the race to beach the sinking schooner; the never-to-be-forgotten night when he and Moran had camped together on the beach; Hoang taken prisoner, and the hideous filing of his teeth; the beach-combers, silent and watchful behind their sand breastworks; the Chinaman he had killed twitching and hic-coughing at his feet; Moran turned Berserker, bursting down upon him through a haze of smoke; Charlie dying in the hammock aboard the schooner, ordering his funeral with its "four-piecee horse"; Coronado; the incongruous scene in the ballroom; and, last of all, Josie Herrick in white duck and kid shoes, giving her hand to Moran in her boots and belt, hatless as

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

And all my toys beside me lay, To keep me happy all the day.

And sometimes for an hour or so I watched my leaden soldiers go, With different uniforms and drills, Among the bed-clothes, through the hills;

And sometimes sent my ships in fleets All up and down among the sheets; Or brought my trees and houses out, And planted cities all about.

I was the giant great and still


A Child's Garden of Verses