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Today's Stichomancy for Fritz Lang

The first excerpt represents the past or something you must release, and is drawn from Vailima Letters by Robert Louis Stevenson:

the other chiefs who had been liberated before them were still under bond to work upon the roads, and that this had set them considering what they might do to testify their gratitude. They had therefore agreed to work upon my road as a free gift. They went on to explain that it was only to be on my road, on the branch that joins my house with the public way.

Now I was very much gratified at this compliment, although (to one used to natives) it seemed rather a hollow one. It meant only that I should have to lay out a good deal of money on tools and food and to give wages under the guise of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Juana by Honore de Balzac:

most part misunderstood; whose existence may become either noble through the smile of a woman lifting them out of their rut, or shocking at the close of an orgy under the influence of some damnable reflection dropped by a drunken comrade.

Napoleon had incorporated these vigorous beings in the sixth of the line, hoping to metamorphose them finally into generals,--barring those whom the bullets might take off. But the emperor's calculation was scarcely fulfilled, except in the matter of the bullets. This regiment, often decimated but always the same in character, acquired a great reputation for valor in the field and for wickedness in private life. At the siege of Tarragona it lost its celebrated hero, Bianchi,

The third excerpt represents the future or something you must embrace, and is drawn from Tono Bungay by H. G. Wells:

reeking with proud bashfulness; there were aggressively smart people using pet diminutives for each other loudly and seeking fresh occasions for brilliant rudeness; there were awkward husbands and wives quarrelling furtively about their manners and ill at ease under the eye of the winter; cheerfully amiable and often discrepant couples with a disposition to inconspicuous corners, and the jolly sort, affecting an unaffected ease; plump happy ladies who laughed too loud, and gentlemen in evening dress who subsequently "got their pipes." And nobody, you knew, was anybody, however expensively they dressed and whatever rooms they took.