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Today's Stichomancy for Galileo Galilei

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Study of a Woman by Honore de Balzac:

more make him a reputation for virtue than the latter can give him the sort of glamor cast by vice. As deputy, he never speaks, but he votes RIGHT. He behaves in his own home as he does in the Chamber. Consequently, he is held to be one of the best husbands in France. Though not susceptible of lively interest, he never scolds, unless, to be sure, he is kept waiting. His friends have named him "dull weather,"--aptly enough, for there is neither clear light nor total darkness about him. He is like all the ministers who have succeeded one another in France since the Charter. A woman with principles could not have fallen into better hands. It is certainly a great thing for a virtuous woman to have married a man incapable of follies.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Unseen World and Other Essays by John Fiske:

withal a modicum of righteous indignation at the unblushing heresy of the author, not unmixed with a little scornful pity at his inability to believe very preposterous stories upon very meagre evidence. "Conservative" polemics of this sort have doubtless their function. They serve to purge scientific literature of the awkward and careless statements too often made by writers not sufficiently instructed or cautious, which in the absence of hostile criticism might get accepted by the unthinking reader along with the truths which they accompany. Most scientific and philosophical works have their defects; and it is fortunate that there is such a thing as dogmatic ardour in the


The Unseen World and Other Essays
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from King Lear by William Shakespeare:

Lear. Make no noise, make no noise; draw the curtains. So, so, so. We'll go to supper i' th' morning. So, so, so. Fool. And I'll go to bed at noon.

Enter Gloucester.

Glou. Come hither, friend. Where is the King my master? Kent. Here, sir; but trouble him not; his wits are gone. Glou. Good friend, I prithee take him in thy arms. I have o'erheard a plot of death upon him. There is a litter ready; lay him in't And drive towards Dover, friend, where thou shalt meet Both welcome and protection. Take up thy master.


King Lear
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Under the Red Robe by Stanley Weyman:

She closed her hand on them with that, and opened it again, and did so twice, as if to reassure herself that the stones were real and that she was not dreaming. Then she turned to me with sudden fierceness, and I saw that her beautiful face, sharpened by the greed of possession, was grown as keen and vicious as before.

'Well?' she muttered between her teeth.

'Your price, man? Your price?'

'I am coming to it now, Mademoiselle,' I said gravely. 'It is a simple matter. You remember the afternoon when I followed you --clumsily and thoughtlessly perhaps--through the wood to restore these things? In seeming that happened about a month ago. I