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Today's Stichomancy for Gary Cooper

The first excerpt represents the past or something you must release, and is drawn from Sense and Sensibility by Jane Austen:

o'clock, and she returned to her sister's apartment to wait for the arrival of the apothecary, and to watch by her the rest of the night. It was a night of almost equal suffering to both. Hour after hour passed away in sleepless pain and delirium on Marianne's side, and in the most cruel anxiety on Elinor's, before Mr. Harris appeared. Her apprehensions once raised, paid by their excess for all her former security; and the servant who sat up with her, for she would not allow Mrs. Jennings to be called, only tortured her more, by hints of what her mistress had always thought.


Sense and Sensibility
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Alexander's Bridge by Willa Cather:

she seemed to him strangely alert and vibrating, as if in her, too, there were something never altogether at rest. He felt that he knew pretty much what she demanded in people and what she demanded from life, and he wondered how she squared Bartley. After ten years she must know him; and however one took him, however much one admired him, one had to admit that he simply wouldn't square. He was a natural force, certainly, but beyond that, Wilson felt,


Alexander's Bridge
The third excerpt represents the future or something you must embrace, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

every square inch of my body. But to traverse the surrounding country, and to enter the guarded city of Kulan Tith, Jeddak of Kaol, were two very different things. No man enters a Martian city without giving a very detailed and satisfactory account of himself, nor did I delude myself with the belief that I could for a moment impose upon the acumen of the officers of the guard to whom I should be taken the moment I applied at any one of the gates. My only hope seemed to lie in entering the city surreptitiously


The Warlord of Mars