The first excerpt represents the past or something you must release, and is drawn from Sense and Sensibility by Jane Austen: o'clock, and she returned to her sister's apartment to wait
for the arrival of the apothecary, and to watch by her
the rest of the night. It was a night of almost equal
suffering to both. Hour after hour passed away in sleepless
pain and delirium on Marianne's side, and in the most
cruel anxiety on Elinor's, before Mr. Harris appeared.
Her apprehensions once raised, paid by their excess for all
her former security; and the servant who sat up with her,
for she would not allow Mrs. Jennings to be called,
only tortured her more, by hints of what her mistress
had always thought.
Sense and Sensibility |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Alexander's Bridge by Willa Cather: she seemed to him strangely alert and vibrating,
as if in her, too, there were something
never altogether at rest. He felt
that he knew pretty much what she
demanded in people and what she demanded
from life, and he wondered how she squared
Bartley. After ten years she must know him;
and however one took him, however much
one admired him, one had to admit that he
simply wouldn't square. He was a natural
force, certainly, but beyond that, Wilson felt,
Alexander's Bridge |
The third excerpt represents the future or something you must embrace, and is drawn from The Warlord of Mars by Edgar Rice Burroughs: every square inch of my body.
But to traverse the surrounding country, and to enter the guarded
city of Kulan Tith, Jeddak of Kaol, were two very different things.
No man enters a Martian city without giving a very detailed and
satisfactory account of himself, nor did I delude myself with
the belief that I could for a moment impose upon the acumen of
the officers of the guard to whom I should be taken the moment
I applied at any one of the gates.
My only hope seemed to lie in entering the city surreptitiously
The Warlord of Mars |