| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Recruit by Honore de Balzac: happiness and pleasure of which her married life was deprived, she
found in the passionate love she bore her son. She loved him not only
with the pure and deep devotion of a mother, but with the coquetry of
a mistress, and the jealousy of a wife. She was miserable away from
him, uneasy at his absence, could never see him enough, and loved only
through him and for him. To make men understand the strength of this
feeling, it suffices to add that the son was not only the sole child
of Madame de Dey, but also her last relation, the only being in the
world to whom the fears and hopes and joys of her life could be
naturally attached.
The late Comte de Dey was the last surviving scion of his family, and
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems by Oscar Wilde: On team of silver doves and gilded wain
Was journeying Paphos-ward, high up afar
From mortal ken between the mountains and the morning star,
And when low down she spied the hapless pair,
And heard the Oread's faint despairing cry,
Whose cadence seemed to play upon the air
As though it were a viol, hastily
She bade her pigeons fold each straining plume,
And dropt to earth, and reached the strand, and saw their dolorous
doom.
For as a gardener turning back his head
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Purse by Honore de Balzac: they live by intrigue and gambling. But on looking at Adelaide, a
man so pure-minded as Schinner could not but believe in her
perfect innocence, and ascribe the incoherence of the furniture
to honorable causes.
"My dear," said the old lady to the young one, "I am cold; make a
little fire, and give me my shawl."
Adelaide went into a room next the drawing-room, where she no
doubt slept, and returned bringing her mother a cashmere shawl,
which when new must have been very costly; the pattern was
Indian; but it was old, faded and full of darns, and matched the
furniture. Madame Leseigneur wrapped herself in it very
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart: Not that I'm so fond of her, but I had to kiss sombody.
"Well, Miss Barbara!" she said. "How you've grown!"
That made me rather sore, because I am not a child any longer, but they
all talk to me as if I were but six years old, and small for my age.
"I've stopped growing, Hannah," I said, with dignaty." At least,
almost. But I see I still draw the nursery."
Hannah was opening my suitcase, and she looked up and said: "I
tried to get you the Blue room, Miss Bab. But Miss Leila said she
needed it for house Parties."
"Never mind," I said. "I don't care anything about Furnature. I
have other things to think about, Hannah; I want the school room
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