Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for George Bernard Shaw

The first excerpt represents the past or something you must release, and is drawn from Father Damien by Robert Louis Stevenson:

little thing when compared with the pain, the pity, and the disgust of the visitor's surroundings, and the atmosphere of affliction, disease, and physical disgrace in which he breathes. I do not think I am a man more than usually timid; but I never recall the days and nights I spent upon that island promontory (eight days and seven nights), without heartfelt thankfulness that I am somewhere else. I find in my diary that I speak of my stay as a "grinding experience": I have once jotted in the margin, "HARROWING is the word"; and when the MOKOLII bore me at last towards the outer world, I kept repeating to myself, with a new conception of their pregnancy, those simple words of the song -

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Padre Ignacio by Owen Wister:

blushed.

"Yes," said the Padre, looking at the anchored barkentine, "I remember how those things are."

For a while the vessel and its cargo and the landed men and various business and conversations occupied them. But the freight for the mission once seen to, there was not much else to detain them.

The barkentine was only a coaster like many others which had begun to fill the sea a little more of late years, and presently host and guest were riding homeward. Side by side they rode, companions to the eye, but wide apart in mood; within the turbulent young figure of Gaston dwelt a spirit that could not be more at ease, while revolt was steadily kindling

The third excerpt represents the future or something you must embrace, and is drawn from House of Mirth by Edith Wharton:

complementary qualities needed to round off his social personality.

Such details did not fall within the range of Mrs. Peniston's vision. Like many minds of panoramic sweep, hers was apt to overlook the MINUTIAE of the foreground, and she was much more likely to know where Carry Fisher had found the Welly Brys' CHEF for them, than what was happening to her own niece. She was not, however, without purveyors of information ready to supplement her deficiencies. Grace Stepney's mind was like a kind of moral fly-paper, to which the buzzing items of gossip were drawn by a fatal attraction, and where they hung fast in the toils of an