| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: The success of Wagner has been so prodigious that to his dazzled
disciples it seems that the age of what he called "absolute music
must be at an end, and the musical future destined to be an
exclusively Wagnerian one inaugurated at Bayreuth. All great
geniuses produce this illusion. Wagner did not begin a movement:
he consummated it. He was the summit of the nineteenth century
school of dramatic music in the same sense as Mozart was the
summit (the word is Gounod's) of the eighteenth century school.
And those who attempt to carry on his Bayreuth tradition will
assuredly share the fate of the forgotten purveyors of
second-hand Mozart a hundred years ago. As to the expected
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs: was prepared; but he was not forever courting disaster, and so it
was that when about one o'clock in the morning of the fifteenth,
he heard the dismal flapping of giant wings overhead, he was
neither surprised nor frightened but idly prepared for an attack
he had known might reasonably be expected.
The sound seemed to come from the south, and presently, low above
the trees in that direction, the man made out a dim, shadowy form
circling slowly about. Bradley was a brave man, yet so keen was
the feeling of revulsion engendered by the sight and sound of
that grim, uncanny shape that he distinctly felt the gooseflesh
rise over the surface of his body, and it was with difficulty
 Out of Time's Abyss |