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Today's Stichomancy for George Clooney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from From London to Land's End by Daniel Defoe:

perhaps not in Europe.

In my travel through Dorsetshire I ought to have observed that the biggest towns in that county sent no members to Parliament, and that the smallest did--that is to say that Sherborne, Blandford, Wimborneminster, Stourminster, and several other towns choose no members; whereas Weymouth, Melcombe, and Bridport were all burgess towns. But now we come to Devonshire we find almost all the great towns, and some smaller, choosing members also. It is true there are some large populous towns that do not choose, but then there are so many that do, that the county seems to have no injustice, for they send up six-and-twenty members.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of Darkness by Joseph Conrad:

behind me. I did! And there was nothing behind me! There was nothing but that wretched, old, mangled steamboat I was leaning against, while he talked fluently about `the necessity for every man to get on.' `And when one comes out here, you conceive, it is not to gaze at the moon.' Mr. Kurtz was a `universal genius,' but even a genius would find it easier to work with `adequate tools--intelligent men.' He did not make bricks--why, there was a physical impossibility in the way--as I was well aware; and if he did secretarial work for the manager, it was because `no sensible man rejects wantonly the confidence of his superiors.' Did I see it?


Heart of Darkness
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Poor and Proud by Oliver Optic:

made her stronger and truer, as temptation resisted always makes the soul. That year of experience had given Katy a character; it expanded her views of life, and placed her in a situation where she was early called upon to decide between the right and the wrong; when she was required to select her path for life. She had chosen the good way, as Ann Grippen had chosen the evil way.

I do not mean to say her character was formed, or that having chosen to be good, she could not afterwards be evil. But the great experiences of life which generally come in more mature years, had been forced upon her while still a child; and nobly and truly had she taken up and borne the burden imposed upon her.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

nectar of your lips; perhaps I might be disappointed in that too.

MISS HARDCASTLE. Nectar! nectar! That's a liquor there's no call for in these parts. French, I suppose. We sell no French wines here, sir.

MARLOW. Of true English growth, I assure you.

MISS HARDCASTLE. Then it's odd I should not know it. We brew all sorts of wines in this house, and I have lived here these eighteen years.

MARLOW. Eighteen years! Why, one would think, child, you kept the bar before you were born. How old are you?

MISS HARDCASTLE. O! sir, I must not tell my age. They say women and music should never be dated.


She Stoops to Conquer