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Today's Stichomancy for George Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from New Poems by Robert Louis Stevenson:

O sailor soul, still sailing for the sky; And fifty fathom deep Your colours still shall fly.

THE COCK'S CLEAR VOICE INTO THE CLEARER AIR

THE cock's clear voice into the clearer air Where westward far I roam, Mounts with a thrill of hope, Falls with a sigh of home.

A rural sentry, he from farm and field The coming morn descries, And, mankind's bugler, wakes

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Allan Quatermain by H. Rider Haggard:

swing of the current), where no doubt a party of Masai were waiting to dig their shovel-headed spears into us. Seizing one paddle myself, I told Umslopogaas to take another (for the remaining Askari was too frightened and bewildered to be of any use), and together we rowed vigorously out towards the middle of the stream; and not an instant too soon, for in another minute we should have been aground, and then there would have been an end of us.

As soon as we were well out, we set to work to paddle the canoe upstream again to where the other was moored; and very hard and dangerous work it was in the dark, and with nothing but the notes of Good's stentorian shouts, which he kept firing off at intervals


Allan Quatermain
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

said overseer's pig, "the slave shall be wholly excused." But, should the bondman, of his own accord, fight to defend his wife, or should his terrified daughter instinctively raise her hand and strike the wretch who attempts to violate her chastity, he or she shall, saith the model republican law, suffer death.

From having been myself a slave for nearly twenty-three years, I am quite prepared to say, that the practical working of slavery is worse than the odious laws by which it is governed.


Running a Thousand Miles for Freedom
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Snow Image by Nathaniel Hawthorne:

Violet also released herself, though with less abruptness, gravely remarking that it was better not to take hold of hands. The white-robed damsel said not a word, but danced about, just as merrily as before. If Violet and Peony did not choose to play with her, she could make just as good a playmate of the brisk and cold west-wind, which kept blowing her all about the garden, and took such liberties with her, that they seemed to have been friends for a long time. All this while, the mother stood on the threshold, wondering how a little girl could look so much like a flying snow-drift, or how a snow-drift could look so very like a little girl.


The Snow Image