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Today's Stichomancy for Groucho Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Road to Oz by L. Frank Baum:

people than were those who followed after them in the procession. Dorothy was a general favorite, and she walked arm in arm with the Scarecrow, who was beloved by all. Then came Polychrome and Button-Bright, and the people loved the Rainbow's pretty Daughter and the beautiful blue-eyed boy as soon as they saw them. The shaggy man in his shaggy new suit attracted much attention because he was such a novelty. With regular steps tramped the machine-man Tik-tok, and there was more cheering when the Wizard of Oz followed in the procession. The Woggle-Bug and Jack Pumpkinhead were next, and behind them Glinda the Sorceress and the Good Witch of the North. Finally came Billina, with her brood of chickens to whom she clucked anxiously


The Road to Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

slang expression all his own. He knows how to slap his pockets at the right time, and make his money jingle if he thinks the servants of the second-class houses which he wants to enter (always eminently suspicious) are likely to take him for a thief. Activity is not the least surprising quality of this human machine. Not the hawk swooping upon its prey, not the stag doubling before the huntsman and the hounds, nor the hounds themselves catching scent of the game, can be compared with him for the rapidity of his dart when he spies a "commission," for the agility with which he trips up a rival and gets ahead of him, for the keenness of his scent as he noses a customer and discovers the sport where he can get off his wares.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Village Rector by Honore de Balzac:

a few little sticks almost caked with the soot which had fallen down the chimney. There were two rickety chairs, two thin couches, a few cracked pots and mended plates, a one-armed armchair, a dilapidated bed, the curtains of which time had embroidered with a bold hand, a worm-eaten secretary where the miser kept his seeds, a pile of linen thickened by many darns, and a heap of ragged garments, which existed only by the will of their master; he being dead they dropped into shreds, powder, chemical dissolution, in fact I know not into what form of utter ruin, as soon as the heir or the officers of the law laid rough hands upon them; they disappeared as if afraid of being publicly sold.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pupil by Henry James:

Mrs. Moreen tapped her undressed arm with her folded bank-note. "Can't you write articles? Can't you translate as I do?"

"I don't know about translating; it's wretchedly paid."

"I'm glad to earn what I can," said Mrs. Moreen with prodigious virtue.

"You ought to tell me who you do it for." Pemberton paused a moment, and she said nothing; so he added: "I've tried to turn off some little sketches, but the magazines won't have them - they're declined with thanks."

"You see then you're not such a phoenix," his visitor pointedly smiled - "to pretend to abilities you're sacrificing for our sake."