| The first excerpt represents the past or something you must release, and is drawn from The Coxon Fund by Henry James: learn the least about poor Saltram's weaknesses--not to learn the
most. A great deal that I had in fact learned had been forced upon
me by his wife. There was something even irritating in Miss
Anvoy's crude conscientiousness, and I wondered why, after all, she
couldn't have let him alone and been content to entrust George
Gravener with the purchase of the good house. I was sure he would
have driven a bargain, got something excellent and cheap. I
laughed louder even than she, I temporised, I failed her; I told
her I must think over her case. I professed a horror of
responsibilities and twitted her with her own extravagant passion
for them. It wasn't really that I was afraid of the scandal, the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Professor by Charlotte Bronte: disappointed, despised and of no account, like other single
women. But I'm not an old maid," she added quickly. "I should
have been, though, but for my master. I should never have suited
any man but Professor Crimsworth--no other gentleman, French,
English, or Belgian, would have thought me amiable or handsome;
and I doubt whether I should have cared for the approbation of
many others, if I could have obtained it. Now, I have been
Professor Crimsworth's wife eight years, and what is he in my
eyes? Is he honourable, beloved---?" She stopped, her voice was
cut off, her eyes suddenly suffused. She and I were standing
side by side; she threw her arms round me, and strained me to her
 The Professor |
The third excerpt represents the future or something you must embrace, and is drawn from To-morrow by Joseph Conrad: ment, then with a plodding sort of perseverance,
growing slower and slower; and he could not even
tell you plainly how his son looked. The sailor
was supposed to be one of two that had left a tim-
ber ship, and to have been seen dangling after some
girl; but the old man described a boy of fourteen
or so--"a clever-looking, high-spirited boy." And
when people only smiled at this he would rub his
forehead in a confused sort of way before he slunk
off, looking offended. He found nobody, of
course; not a trace of anybody--never heard of
 To-morrow |