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Today's Stichomancy for H. P. Lovecraft

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

place in me; my health, which had hitherto declined, was now much restored; and my spirits, when unchecked by the memory of my unhappy promise, rose proportionably. My father saw this change with pleasure, and he turned his thoughts towards the best method of eradicating the remains of my melancholy, which every now and then would return by fits, and with a devouring blackness overcast the approaching sunshine. At these moments I took refuge in the most perfect solitude. I passed whole days on the lake alone in a little boat, watching the clouds and listening to the rippling of the waves, silent and listless. But the fresh air and bright sun seldom failed to restore me to some degree of composure, and on my


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Options by O. Henry:

come inside the ropes, I got as weak as ginger-ale.

"Of course, it wasn't long till I couldn't get no backers, and I didn't have any more chances to fight a professional--or many amateurs, either. But lemme tell you--I was as good as most men inside the ring or out. It was just that dumb, dead feeling I had when I was up against a regular that always done me up.

"Well, sir, after I had got out of the business, I got a mighty grouch on. I used to go round town licking private citizens and all kinds of unprofessionals just to please myself. I'd lick cops in dark streets and car-conductors and cab-drivers and draymen whenever I could start a row with 'em. It didn't make any difference how big they were, or


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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Prince by Nicolo Machiavelli:

one of those with him, who said that he did not fear anything. Castruccio answered that he did not wonder at that, since every man valued his soul for what is was worth. Being asked by one what he ought to do to gain estimation, he said: "When thou goest to a banquet take care that thou dost not seat one piece of wood upon another." To a person who was boasting that he had read many things, Castruccio said: "He knows better than to boast of remembering many things." Someone bragged that he could drink much without becoming intoxicated. Castruccio replied: "An ox does the same." Castruccio was acquainted with a girl with whom he had intimate relations, and being blamed by a friend who told him that it was undignified for him to be taken in by


The Prince
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierre Grassou by Honore de Balzac:

Whenever you have gone to take a serious look at the exhibition of works of sculpture and painting, such as it has been since the revolution of 1830, have you not been seized by a sense of uneasiness, weariness, sadness, at the sight of those long and over-crowded galleries? Since 1830, the true Salon no longer exists. The Louvre has again been taken by assault,--this time by a populace of artists who have maintained themselves in it.

In other days, when the Salon presented only the choicest works of art, it conferred the highest honor on the creations there exhibited. Among the two hundred selected paintings, the public could still choose: a crown was awarded to the masterpiece by hands unseen. Eager,