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Today's Stichomancy for Halle Berry

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Prince by Nicolo Machiavelli:

Alexander backwards the Italian potentates (not only those who have been called potentates, but every baron and lord, though the smallest) have valued the temporal power very slightly--yet now a king of France trembles before it, and it has been able to drive him from Italy, and to ruin the Venetians--although this may be very manifest, it does not appear to me superfluous to recall it in some measure to memory.

Before Charles, King of France, passed into Italy,[*] this country was under the dominion of the Pope, the Venetians, the King of Naples, the Duke of Milan, and the Florentines. These potentates had two principal anxieties: the one, that no foreigner should enter Italy under arms; the other, that none of themselves should seize more territory. Those


The Prince
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

He became alienated from his great Mother. His instincts were less and less sure--and that in proportion as brain- activity and self-regarding calculation took their place. Love and mutual help were less compelling in proportion as the demands of self-interest grew louder and more insistent. Ultimately the crisis came. Cain murdered his brother and became an outcast. The Garden of Eden and the Golden Age closed their gates behind him. He entered upon a period of suffering--a period of labor and toil and sorrow such as he had never before known, and such as the animals certainly have never known. And in that


Pagan and Christian Creeds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wife, et al by Anton Chekhov:

They let him in, and suddenly he sees that they are robbers. Or, better still, he is taken into a big manor-house, where, learning who he is, they give him food and drink, play to him on the piano, listen to his complaints, and the daughter of the house, a beauty, falls in love with him.

Absorbed in his bitterness and such thoughts, young Shiryaev walked on and on. Far, far ahead he saw the inn, a dark patch against the grey background of cloud. Beyond the inn, on the very horizon, he could see a little hillock; this was the railway-station. That hillock reminded him of the connection existing between the place where he was now standing and Moscow,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Red Badge of Courage by Stephen Crane:

could see the forms of men throwing black shadows in the red light, and as he went nearer it became known to him in some way that the ground was strewn with sleeping men.

Of a sudden he confronted a black and monstrous figure. A rifle barrel caught some glinting beams. "Halt! halt!" He was dis-

129 mayed for a moment, but he presently thought that he recognized the nervous voice. As he stood tottering before the rifle barrel, he called


The Red Badge of Courage