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Today's Stichomancy for Halle Berry

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Letters of Two Brides by Honore de Balzac:

would avert calamity.

You speak of vice; and it is possible that, after all, reason and reflection produce a result not dissimilar from what we call by that name. For what does a woman mean by it but perversion of feeling through calculation? Passion is vicious when it reasons, admirable only when it springs from the heart and spends itself in sublime impulses that set at naught all selfish considerations. Sooner or later, dear one, you too will say, "Yes! dissimulation is the necessary armor of a woman, if by dissimulation be meant courage to bear in silence, prudence to foresee the future."

Every married woman learns to her cost the existence of certain social

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain:

its name for all time, as he hoped and believed, a synonym for commercial incorruptibility. [Applause.] "And who is to be the guardian of this noble fame--the community as a whole? No! The responsibility is individual, not communal. From this day forth each and every one of you is in his own person its special guardian, and individually responsible that no harm shall come to it. Do you- -does each of you--accept this great trust? [Tumultuous assent.] Then all is well. Transmit it to your children and to your children's children. To-day your purity is beyond reproach--see to it that it shall remain so. To-day there is not a person in your community who could be beguiled to touch a penny not his own--see to


The Man that Corrupted Hadleyburg
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Several Works by Edgar Allan Poe:

the seven rooms loudly and clearly, for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.

It was in the blue room where stood the prince, with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who at the moment was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth hand to seize him; so that, unimpeded, he

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In the Cage by Henry James:

engaged herself in short to the perfection of a type, and almost anything square and smooth and whole had its weight for a person still conscious herself of being a mere bruised fragment of wreckage. But it contributed hugely at present to carry on the two parallel lines of her experience in the cage and her experience out of it. After keeping quiet for some time about this opposition she suddenly--one Sunday afternoon on a penny chair in the Regent's Park--broke, for him, capriciously, bewilderingly, into an intimation of what it came to. He had naturally pressed more and more on the point of her again placing herself where he could see her hourly, and for her to recognise that she had as yet given him