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Today's Stichomancy for Halle Berry

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Philosophy 4 by Owen Wister:

ribs. Then he knocked again. Then he tried the door, and as it was open, he walked deferentially into the sitting room. Sonorous snores came from one of the bedrooms. Oscar peered in and saw John; but he saw no Billy in the other bed. Then, always deferential, he sat down in the sitting room and watched a couple of prettily striped coats hanging in a half-open closet.

At that moment the black gelding was flirtatiously crossing the drawbridge over the Charles on the Allston Road. The gelding knew the clank of those suspending chains and the slight unsteadiness of the meeting halves of the bridge as well as it knew oats. But it could not enjoy its own entirely premeditated surprise quite so much as Bertie and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

would come drifting down to whiten the brown fields,--with no chilly thought of winter, but only to make the quiet autumn more quiet. Whatever honest, commonplace affection was in the man came out in a simple way to this Lois, who ruled his sick whims and crotchets in such a quiet, sturdy fashion. Not because she had risked her life to save his; even when he understood that, he recalled it with an uneasy, heavy gratitude; but the drinks she made him, and the plot they laid to smuggle in some oysters in defiance of all rules, and the cheerful, pock-marked face, he never forgot.

Doctor Knowles came sometimes, but seldom: never talked, when he


Margret Howth: A Story of To-day
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

eminence and the fire of these weapons was more or less haphazard. No means of directing the artillery upon the vital points were available; 203 Metre Hill interrupted the line of sight. The Japanese thereupon resolved to capture the hill, while the Russians, equally appreciative of the obstruction it offered to their enemy, as valiantly strove to hold it. Once the hill was captured and the fire of the Japanese guns could be directed, the fate of the fortress was sealed.

Similar conditions have prevailed during the present campaign, especially in the western theatre of war, where the ruggedness of the country has tended to render artillery fire ineffective and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

And I implore, by what thou most desirest, If e'er thou treadest the soil of Tuscany, Well with my kindred reinstate my fame.

Them wilt thou see among that people vain Who hope in Talamone, and will lose there More hope than in discovering the Diana;

But there still more the admirals will lose."

Purgatorio: Canto XIV

"Who is this one that goes about our mountain, Or ever Death has given him power of flight, And opes his eyes and shuts them at his will?"


The Divine Comedy (translated by Henry Wadsworth Longfellow)