| The first excerpt represents the past or something you must release, and is drawn from The Hidden Masterpiece by Honore de Balzac: morning at dawn I saw many errors. Ah! to attain that glorious result,
I have studied to their depths the masters of color. I have analyzed
and lifted, layer by layer, the colors of Titian, king of light. Like
him, great sovereign of art, I have sketched my figure in light clear
tones of supple yet solid color; for shadow is but an accident,--
remember that, young man. Then I worked backward, as it were; and by
means of half-tints, and glazings whose transparency I kept
diminishing little by little, I was able to cast strong shadows
deepening almost to blackness. The shadows of ordinary painters are
not of the same texture as their tones of light. They are wood, brass,
iron, anything you please except flesh in shadow. We feel that if the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Juana by Honore de Balzac: who, in preceding centuries, gathered around them the cassock, gown,
and sword. An Imperia built I forget which church in Rome in a frenzy
of repentance, as Rhodope built, in earlier times, a pyramid in Egypt.
The name Marana, inflicted at first as a disgrace upon the singular
family with which we are now concerned, had ended by becoming its
veritable name and by ennobling its vice by incontestable antiquity.
One day, a day of opulence or of penury I know not which, for this
event was a secret between herself and God, but assuredly it was in a
moment of repentance and melancholy, this Marana of the nineteenth
century stood with her feet in the slime and her head raised to
heaven. She cursed the blood in her veins, she cursed herself, she
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The third excerpt represents the future or something you must embrace, and is drawn from Twenty Years After by Alexandre Dumas: with Olivain the instant he had received it.
77
The three Lieutenants of the Generalissimo.
The night was dark, but still the town resounded with those
noises that disclose a city in a state of siege. Athos and
Aramis did not proceed a hundred steps without being stopped
by sentinels placed before the barricades, who demanded the
watchword; and on their saying that they were going to
Monsieur de Bouillon on a mission of importance a guide was
given them under pretext of conducting them, but in fact as
a spy over their movements.
Twenty Years After |
