| The first excerpt represents the past or something you must release, and is drawn from Love Songs by Sara Teasdale: The head that lay against your knees
In the leaf shadow's amethyst.
And still another shining place
We would remember -- how the dun
Wild mountain held us on its crest
One diamond morning white with sun.
But I will turn my eyes from you
As women turn to put away
The jewels they have worn at night
And cannot wear in sober day.
II
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Where There's A Will by Mary Roberts Rinehart: "No, she's not that kind!" he agreed, and never noticed the slip.
"You know, Minnie, women aren't all alike, but they're not all
different. An English writer has them classified to a T--there's
the mother woman--that's you. You're always mothering somebody
with that maternal spirit of yours. It's a pity it's vicarious."
I didn't say anything, not knowing just what he meant. But I've
looked it up since and I guess he was about right.
"And there's the mistress woman--Mrs. Dicky, for example, or--"
he saw Miss Cobb's curler on the mantel and picked it up--"or
even Miss Cobb," he said. "Coquetry and selfishness without
maternal instinct. How much of Miss Cobb's virtue is training
|
The third excerpt represents the future or something you must embrace, and is drawn from Pierrette by Honore de Balzac: This chatterer believed himself an orator. The necessity of explaining
to customers what they want, of guessing at their desires, and giving
them desires for what they do not want, exercises the tongue of all
retail shopkeepers. The petty dealer acquires the faculty of uttering
words and sentences in which there is absolutely no meaning, but which
have a marked success. He explains to his customers matters of
manufacture that they know nothing of; that alone gives him a passing
superiority over them; but take him away from his thousand and one
explanations about his thousand and one articles, and he is,
relatively to thought, like a fish out of water in the sun.
Rogron and Sylvie, two mechanisms baptized by mistake, did not
|