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Today's Stichomancy for Harrison Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

the evening till eight; and then to bed - only I have no bed, only a chest with a mat and blankets - and read myself to sleep. This is the routine, but often sadly interrupted. Then you may see me sitting on the floor of my verandah haranguing and being harangued by squatting chiefs on a question of a road; or more privately holding an inquiry into some dispute among our familiars, myself on my bed, the boys on the floor - for when it comes to the judicial I play dignity - or else going down to Apia on some more or less unsatisfactory errand. Altogether it is a life that suits me, but it absorbs me like an ocean. That is what I have always envied and admired in Scott; with all that immensity of work and study, his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Personal Record by Joseph Conrad:

to all sorts of undiscovered countries. No, perhaps I had better say that the life at sea--and I don't mean a mere taste of it, but a good broad span of years, something that really counts as real service--is not, upon the whole, a good equipment for a writing life. God forbid, though, that I should be thought of as denying my masters of the quarter-deck. I am not capable of that sort of apostasy. I have confessed my attitude of piety toward their shades in three or four tales, and if any man on earth more than another needs to be true to himself as he hopes to be saved, it is certainly the writer of fiction.

What I meant to say, simply, is that the quarter-deck training


A Personal Record
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Passion in the Desert by Honore de Balzac:

in spite of their natural fierceness, was mingled confusedly a kind of good will. The poor Provencal ate his dates, leaning against one of the palm trees, and casting his eyes alternately on the desert in quest of some liberator and on his terrible companion to watch her uncertain clemency.

The panther looked at the place where the date stones fell, and every time that he threw one down her eyes expressed an incredible mistrust.

She examined the man with an almost commercial prudence. However, this examination was favorable to him, for when he had finished his meager meal she licked his boots with her powerful rough tongue, brushing off with marvelous skill the dust gathered in the creases.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Catriona by Robert Louis Stevenson:

I could see the blood come in her face, and her head fling into the air like what I had conceived of empresses.

"What brings you to my poor door?" she cried, speaking high through her nose. "I cannot bar it. The males of my house are dead and buried; I have neither son nor husband to stand in the gate for me; any beggar can pluck me by the baird - and a baird there is, and that's the worst of it yet?" she added partly to herself.

I was extremely put out at this reception, and the last remark, which seemed like a daft wife's, left me near hand speechless.

"I see I have fallen under your displeasure, ma'am," said I. "Yet I will still be so bold as ask after Mistress Drummond."