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Today's Stichomancy for Heidi Klum

The first excerpt represents the past or something you must release, and is drawn from Fairy Tales by Hans Christian Andersen:

speech. Father Snail could not speak, he was too much affected; and so they gave them as a dowry and inheritance, the whole forest of burdocks, and said--what they had always said--that it was the best in the world; and if they lived honestly and decently, and increased and multiplied, they and their children would once in the course of time come to the manor-house, be boiled black, and laid on silver dishes. After this speech was made, the old ones crept into their shells, and never more came out. They slept; the young couple governed in the forest, and had a numerous progeny, but they were never boiled, and never came on the silver dishes; so from this they concluded that the manor-house had fallen to ruins, and that all the men in the world were extinct; and as no one contradicted them, so, of course it was so. And the


Fairy Tales
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

With fanfares by aerial trumpets blown; The rustic chair she sat on was a throne; He ate celestial food, and a divine Flavor was given to his country wine, And the poor falcon, fragrant with his spice, A peacock was, or bird of paradise!

When the repast was ended, they arose And passed again into the garden-close. Then said the lady, "Far too well I know Remembering still the days of long ago, Though you betray it not with what surprise

The third excerpt represents the future or something you must embrace, and is drawn from The Rescue by Joseph Conrad:

and an impression of luminous vastness. The encompassing night, too, was there, the night that waits for its time to move forward upon the glitter, the splendour, the men, the women.

He could not remember for the moment, but he became convinced that of all the women he knew, she alone seemed to be made for action. Every one of her movements had firmness, ease, the meaning of a vital fact, the moral beauty of a fearless expression. Her supple figure was not dishonoured by any faltering of outlines under the plain dress of dark blue stuff moulding her form with bold simplicity.

She had only very few steps to make, but before she had stopped,


The Rescue