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Today's Stichomancy for Henry Ford

The first excerpt represents the past or something you must release, and is drawn from Alexander's Bridge by Willa Cather:

the cause of her rapid walk, and with her he was even more vastly pleased than before. He followed her through the drawing-room into the library, where the wide back windows looked out upon the garden and the sunset and a fine stretch of silver-colored river. A harp-shaped elm stood stripped against the pale-colored evening sky, with ragged last year's birds' nests in its forks, and through the bare branches the evening star quivered in the misty air. The long brown


Alexander's Bridge
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Emerald City of Oz by L. Frank Baum:

Miss Cuttenclip herself led them to the door in the wall, and as they passed along the street the paper dolls peeped at them half fearfully from the doors and windows. Perhaps they will never forget the Shaggy Man's awful sneeze, and I am sure they were all glad to see the meat people go away.

11. How the General Met the First and Foremost

On leaving the Growleywogs General Guph had to recross the Ripple Lands, and he did not find it a pleasant thing to do. Perhaps having his whiskers pulled out one by one and being used as a pin-cushion for the innocent amusement of a good natured jailer had not improved the quality of Guph's temper, for the old Nome raved and raged at the


The Emerald City of Oz
The third excerpt represents the future or something you must embrace, and is drawn from The Voyage Out by Virginia Woolf:

"I was just saying that people are so like their boots," said Miss Allan. Mrs. Paley did not hear. She repeated it more loudly still. Mrs. Paley did not hear. She repeated it a third time. Mrs. Paley heard, but she did not understand. She was apparently about to repeat it for the fourth time, when Rachel suddenly said something inarticulate, and disappeared down the corridor. This misunderstanding, which involved a complete block in the passage, seemed to her unbearable. She walked quickly and blindly in the opposite direction, and found herself at the end of a _cul_ _de_ _sac_. There was a window, and a table and a chair in the window, and upon the table stood a rusty inkstand,