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Today's Stichomancy for Henry Ford

The first excerpt represents the past or something you must release, and is drawn from Wuthering Heights by Emily Bronte:

'What ails you, Cathy?' he was saying when I entered: 'you look as dismal as a drowned whelp. Why are you so damp and pale, child?'

'I've been wet,' she answered reluctantly, 'and I'm cold, that's all.'

'Oh, she is naughty!' I cried, perceiving the master to be tolerably sober. 'She got steeped in the shower of yesterday evening, and there she has sat the night through, and I couldn't prevail on her to stir.'

Mr. Earnshaw stared at us in surprise. 'The night through,' he repeated. 'What kept her up? not fear of the thunder, surely? That was over hours since.'


Wuthering Heights
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tales of Unrest by Joseph Conrad:

found herself, all out of breath, standing amongst the heavy shadows of the rocky islet. The Raven is connected with the main land by a natural pier of immense and slippery stones. She intended to return home that way. Was he still standing there? At home. Home! Four idiots and a corpse. She must go back and explain. Anybody would understand. . . .

Below her the night or the sea seemed to pronounce distinctly--

"Aha! I see you at last!"

She started, slipped, fell; and without attempting to rise, listened, terrified. She heard heavy breathing, a clatter of wooden clogs. It stopped.


Tales of Unrest
The third excerpt represents the future or something you must embrace, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

hours when it was wealthy and prosperous.

With this slight introduction, the reader will know as much of Aunt Margaret and her nephew as is necessary to comprehend the following conversation and narrative.

Last week, when, late in a summer evening, I went to call on the old lady to whom my reader is now introduced, I was received by her with all her usual affection and benignity, while, at the same time, she seemed abstracted and disposed to silence. I asked her the reason. "They have been clearing out the old chapel," she said; "John Clayhudgeons having, it seems, discovered that the stuff within--being, I suppose, the remains