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Today's Stichomancy for Hilary Duff

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Devil's Dictionary by Ambrose Bierce:

TO MY PET TORTOISE

My friend, you are not graceful -- not at all; Your gait's between a stagger and a sprawl.

Nor are you beautiful: your head's a snake's To look at, and I do not doubt it aches.

As to your feet, they'd make an angel weep. 'Tis true you take them in whene'er you sleep.

No, you're not pretty, but you have, I own, A certain firmness -- mostly you're [sic] backbone.

Firmness and strength (you have a giant's thews) Are virtues that the great know how to use --


The Devil's Dictionary
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides by Plato:

of the so-called English Dialogues are but poor imitations of Plato, which fall very far short of the original. The breath of conversation, the subtle adjustment of question and answer, the lively play of fancy, the power of drawing characters, are wanting in them. But the Platonic dialogue is a drama as well as a dialogue, of which Socrates is the central figure, and there are lesser performers as well:--the insolence of Thrasymachus, the anger of Callicles and Anytus, the patronizing style of Protagoras, the self-consciousness of Prodicus and Hippias, are all part of the entertainment. To reproduce this living image the same sort of effort is required as in translating poetry. The language, too, is of a finer quality; the mere prose English is slow in lending itself to the form of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gulliver's Travels by Jonathan Swift:

to some person of great note among them, because there appeared so much ceremony before I could gain admittance. But, that a man of quality should be served all by horses, was beyond my comprehension. I feared my brain was disturbed by my sufferings and misfortunes. I roused myself, and looked about me in the room where I was left alone: this was furnished like the first, only after a more elegant manner. I rubbed my eyes often, but the same objects still occurred. I pinched my arms and sides to awake myself, hoping I might be in a dream. I then absolutely concluded, that all these appearances could be nothing else but necromancy and magic. But I had no time to pursue these


Gulliver's Travels
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Complete Angler by Izaak Walton:

some, yet it is known to too many among us to be doubted.

And so much for these Fordidge Trouts, which never afford an angler sport, but either live their time of being in the fresh water, by their meat formerly gotten in the sea, not unlike the swallow or frog, or, by the virtue of the fresh water only; or, as the birds of Paradise and the cameleon are said to live, by the sun and the air.

There is also in Northumberland a Trout called a Bull-trout, of a much greater length and bigness than any in these southern parts; and there are, in many rivers that relate to the sea, Salmon-trouts, as much different from others, both in shape and in their spots, as we see sheep in some countries differ one from another in their shape and bigness,