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Today's Stichomancy for Hillary Clinton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Jungle Book by Rudyard Kipling:

Footman. When they began feeding again Kotick saw that their upper lip was split into two pieces that they could twitch apart about a foot and bring together again with a whole bushel of seaweed between the splits. They tucked the stuff into their mouths and chumped solemnly.

"Messy style of feeding, that," said Kotick. They bowed again, and Kotick began to lose his temper. "Very good," he said. "If you do happen to have an extra joint in your front flipper you needn't show off so. I see you bow gracefully, but I should like to know your names." The split lips moved and twitched; and the glassy green eyes stared, but they did not speak.


The Jungle Book
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life of the Spider by J. Henri Fabre:

equivalent of the common Cockchafer--and other dishes probably unknown to her race, she accepts all and any, large and small, thin-skinned and horny-skinned, that which goes afoot and that which takes winged flight. She is omnivorous, she preys on everything, down to her own kind, should the occasion offer.

Had she to operate according to individual structure, she would need an anatomical dictionary; and instinct is essentially unfamiliar with generalities: its knowledge is always confined to limited points. The Cerceres know their Weevils and their Buprestis-beetles absolutely; the Sphex their Grasshoppers, their Crickets and their Locusts; the Scoliae {34} their Cetonia- and


The Life of the Spider
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

were smiling too. "Cheer up, we won't bite," their smile seemed to say. How very nice workmen were! And what a beautiful morning! She mustn't mention the morning; she must be business-like. The marquee.

"Well, what about the lily-lawn? Would that do?"

And she pointed to the lily-lawn with the hand that didn't hold the bread- and-butter. They turned, they stared in the direction. A little fat chap thrust out his under-lip, and the tall fellow frowned.

"I don't fancy it," said he. "Not conspicuous enough. You see, with a thing like a marquee," and he turned to Laura in his easy way, "you want to put it somewhere where it'll give you a bang slap in the eye, if you follow me."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voice of the City by O. Henry:

admiration of Ravenel -- the broker's clerk made an excellent foil to the new, bright unseen visitor to the poet's sombre apartment.

Sammy went to his old seat by the window, and looked out over the dusty green foliage in the garden. Then he looked at his watch, and rose hastily.

"By grabs!" he exclaimed. "Twenty after four! I can't stay, old man; I've got a date at 4:30."

"Why did you come, then?" asked Ravenel, with sarcastic jocularity, "if you had an engagement at


The Voice of the City