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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To the Lighthouse by Virginia Woolf:

clearly it was not true to him but for some reason helpful to him, and that was why he said it? Why did her whole being bow, like corn under a wind, and erect itself again from this abasement only with a great and rather painful effort? She must make it once more. There's the sprig on the table-cloth; there's my painting; I must move the tree to the middle; that matters--nothing else. Could she not hold fast to that, she asked herself, and not lose her temper, and not argue; and if she wanted revenge take it by laughing at him?

"Oh, Mr Tansley," she said, "do take me to the Lighthouse with you. I should so love it."

She was telling lies he could see. She was saying what she did not


To the Lighthouse
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

was safe, but my fear was that he should arrive at home before me and tell the story; in that case I knew my mamma would go half mad with fright, so on I went as quick as possible. I heard no more discharges. When I got half way home, I found my way blocked up by troops. That way or the Boulevards I must pass. In the Boulevards they were fighting, and I was afraid all other passages might be blocked up . . . and I should have to sleep in a hotel in that case, and then my mamma - however, after a long DETOUR, I found a passage and ran home, and in our street joined papa.

'. . . I'll tell you to-morrow the other facts gathered from newspapers and papa. . . . Tonight I have given you what I have

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Drama on the Seashore by Honore de Balzac:

shore to Batz, where we wish to see the tower which overlooks the bay between Batz and Croisic."

"With pleasure," he said. "Go straight before you, along the path you are now on, and I will follow you when I have put away my tackle."

We nodded consent, and he ran off joyfully toward the town. This meeting maintained us in our previous mental condition; but it lessened our gay lightheartedness.

"Poor man!" said Pauline, with that accent which removes from the compassion of a woman all that is mortifying in human pity, "ought we not to feel ashamed of our happiness in presence of such misery?"

"Nothing is so cruelly painful as to have powerless desires," I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rinkitink In Oz by L. Frank Baum:

been closed and fastened.

The boy had a curious sensation that all of his room -- the walls, floor and ceiling -- was slowly whirling as if on a pivot, and it was such an uncomfortable feeling that he got into bed again, not knowing what else to do. And as the grating noise had ceased and the room now seemed stationary, he soon fell asleep again.

When the boy wakened, after many hours, he found the room again light. So he dressed himself and discovered that a small table, containing a breakfast that was smoking hot, had suddenly appeared in the center of


Rinkitink In Oz