Today's Stichomancy for Igor Stravinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twelve Stories and a Dream by H. G. Wells:

upward, still inanimate, and hung at last over the grouped parasols of a knot of chattering people. Gibberne was gripping my elbow. "By Jove!" he cried. "I believe--it is! A sort of hot pricking and--yes. That man's moving his pocket-handkerchief! Perceptibly. We must get out of this sharp."

But we could not get out of it sharply enough. Luckily, perhaps! For we might have run, and if we had run we should, I believe, have burst into flames. Almost certainly we should have burst into flames! You know we had neither of us thought of that. . . . But before we could even begin to run the action of the drug had ceased. It was the business of a minute fraction of a second. The effect of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War and Peace by Leo Tolstoy:

"The means are... the balance of power in Europe and the rights of the people," the abbe was saying. "It is only necessary for one powerful nation like Russia- barbaric as she is said to be- to place herself disinterestedly at the head of an alliance having for its object the maintenance of the balance of power of Europe, and it would save the world!"

"But how are you to get that balance?" Pierre was beginning.

At that moment Anna Pavlovna came up and, looking severely at Pierre, asked the Italian how he stood Russian climate. The Italian's face instantly changed and assumed an offensively affected, sugary expression, evidently habitual to him when conversing

War and Peace

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

of the pool of blood, but on the opposite side of it. Muller got down on his hands and knees to follow up the scratch. He did not notice the discomfort of his position, his eyes shone in excitement and a deep flush glowed in his cheeks. Also, he began to whistle softly.

Joseph Muller, the bloodhound of the Austrian police, had found a clue, a clue that soon would bring him to the trail he was seeking. He did not know yet what he could do with his clue. But this much he knew; sooner or later this scratch in the floor would lead him to the murderer. The trail might be long and devious; but he would follow it and at its end would be success. He knew that this scratch

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays & Lectures by Oscar Wilde:

general reluctance to marriage and to bearing the expense of educating a large family which resulted from the carelessness and avarice of the men of his day, and he explains on entirely rational principles the whole of this apparently supernatural judgment.

Now, it is to be borne in mind that while his rejection of miracles as violation of inviolable laws is entirely A PRIORI - for discussion of such a matter is, of course, impossible for a rational thinker - yet his rejection of supernatural intervention rests entirely on the scientific grounds of the necessity of looking for natural causes. And he is quite logical in maintaining his position on these principles. For, where it is either