| The first excerpt represents the past or something you must release, and is drawn from Bucky O'Connor by William MacLeod Raine: needed that licking all right I saved him from."
When Bucky had eaten, the camp things were repacked for travel.
Epitaph was only twenty-three miles away, and the ranger
preferred to ride in the cool of the night rather than sit up
till daybreak with his prisoner. Besides, he could then catch the
morning train from that town and save almost a day.
So hour after hour they plodded on, the prisoner in front,
O'Connor in the center, and Frank Hardman bringing up the rear.
It was an Arizona night of countless stars, with that peculiar
soft, velvety atmosphere that belongs to no other land or time.
In the distance the jagged, violet line of mountains rose in
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fables by Robert Louis Stevenson: until Jack began to suppose there was no land entirely happy. Or,
if there were, it must be one that kept its folk at home; which was
natural enough.
But the case of the gyves weighed upon him. The sight of the
children limping stuck in his eyes; the groans of such as dressed
their ulcers haunted him. And it came at last in his mind that he
was born to free them.
There was in that village a sword of heavenly forgery, beaten upon
Vulcan's anvil. It was never used but in the temple, and then the
flat of it only; and it hung on a nail by the catechist's chimney.
Early one night, Jack rose, and took the sword, and was gone out of
|
The third excerpt represents the future or something you must embrace, and is drawn from Essays of Travel by Robert Louis Stevenson: physical science, and, above all, optics, held the chief place upon
the shelves, and it was only in holes and corners that anything
really legible existed as by accident. The PARENT'S ASSISTANT, ROB
ROY, WAVERLEY, and GUY MANNERING, the VOYAGES OF CAPTAIN WOODS
ROGERS, Fuller's and Bunyan's HOLY WARS, THE REFLECTIONS OF ROBINSON
CRUSOE, THE FEMALE BLUEBEARD, G. Sand's MARE AU DIABLE - (how came it
in that grave assembly!), Ainsworth's TOWER OF LONDON, and four old
volumes of Punch - these were the chief exceptions. In these latter,
which made for years the chief of my diet, I very early fell in love
(almost as soon as I could spell) with the Snob Papers. I knew them
almost by heart, particularly the visit to the Pontos; and I remember
|
