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Today's Stichomancy for Jack Kerouac

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Woman and Labour by Olive Schreiner:

they are. At the Judean supper there was one Master, and to the onlooker there may have seemed twelve apostles; in truth only twelve were of the company, and one was not of it. There has always been this thirteenth figure at every sacramental gathering, since the world began, wherever the upholders of a great cause have broken spiritual bread; but it may be questioned whether in any instance this thirteenth figure has been able to destroy, or even vitally to retard, any great human movement. Judas could hang his Master by a kiss; but he could not silence the voice which for a thousand years rang out of that Judean grave. Again and again, in social, political, and intellectual movements, the betrayer betrays;--and the cause marches on over the body of the man.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Master of the World by Jules Verne:

connection was there between the phenomena of the Blueridge Mountains, arid the no less phenomenal performances of the fantastic machine?

I knew what my first step should be; and with the letter in my pocket, I hastened to police headquarters. Inquiring if Mr. Ward was within and receiving an affirmative reply, I hastened toward his door, and rapped upon it with unusual and perhaps unnecessary vigor. Upon his call to enter, I stepped eagerly into the room.

The chief had spread before him the letter published in the papers, not a facsimile, but the original itself which had been deposited in the letter-box of the department.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

loud voice; "here is a pardon for one of the prisoners!"

"A pardon!" cried the people with one voice -- "a pardon!" At this cry Andrea raised his head. "Pardon for whom?" cried he.

Peppino remained breathless. "A pardon for Peppino, called Rocca Priori," said the principal friar. And he passed the paper to the officer commanding the carbineers, who read and returned it to him.

"For Peppino!" cried Andrea, who seemed roused from the torpor in which he had been plunged. "Why for him and not for me? We ought to die together. I was promised he should


The Count of Monte Cristo
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Allan Quatermain by H. Rider Haggard:

the boat, amongst our other remaining possessions, a bull's-eye lantern and a tin of oil. I groped about and found it, and having a match on me carefully lit it, and as soon as the flame had got a hold of the wick I turned it on down the boat. As it happened, the first thing the light lit on was the white and scared face of Alphonse, who, thinking that it was all over at last, and that he was witnessing a preliminary celestial phenomenon, gave a terrific yell and was with difficulty reassured with the paddle. As for the other three, Good was lying on the flat of his back, his eyeglass still fixed in his eye, and gazing blankly into the upper darkness. Sir Henry had his head resting on the thwarts


Allan Quatermain