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Today's Stichomancy for Jack Kevorkian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Woodlanders by Thomas Hardy:

Cleeves cider ever wrung down, leaving out the spice and sperrits I put into it, while that egg-flip would ha' passed through muslin, so little curdled 'twere. 'Twas good enough to make any king's heart merry--ay, to make his whole carcass smile. Still, I don't deny I'm afeared some things didn't go well with He and his." Creedle nodded in a direction which signified where the Melburys lived.

"I'm afraid, too, that it was a failure there!"

"If so, 'twere doomed to be so. Not but what that snail might as well have come upon anybody else's plate as hers."

"What snail?"


The Woodlanders
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

trusting in the Union Jack over the Jenkins' door, came to beg them to receive their linen and other valuables; nor could their instances be refused; and in the midst of all this bustle and alarm, piles of goods must be examined and long inventories made. At last the captain decided things had gone too far. He himself apparently remained to watch over the linen; but at five o'clock on the Sunday morning, Aunt Anna, Fleeming, and his mother were rowed in a pour of rain on board an English merchantman, to suffer 'nine mortal hours of agonising suspense.' With the end of that time, peace was restored. On Tuesday morning officers with white flags appeared on the bastions; then, regiment by regiment, the troops

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

stories out by the roots, and left the other--a kind of literary Caesarean operation.

Would the reader care to know something about the story which I pulled out? He has been told many a time how the born- and-trained novelist works; won't he let me round and complete his knowledge by telling him how the jackleg does it?

Originally the story was called THOSE EXTRAORDINARY TWINS. I meant to make it very short. I had seen a picture of a youthful Italian "freak"--or "freaks"--which was--or which were-- on exhibition in our cities--a combination consisting of two heads and four arms joined to a single body and a single pair of legs--

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chance by Joseph Conrad:

of that comestible. I myself never eat cake, and Mrs. Fyne, when she arrived punctually, brought with her no appetite for cake. She had no appetite for anything. But she had a thirst--the sign of deep, of tormenting emotion. Yes it was emotion, not the brilliant sunshine--more brilliant than warm as is the way of our discreet self-repressed, distinguished, insular sun, which would not turn a real lady scarlet--not on any account. Mrs. Fyne looked even cool. She wore a white skirt and coat; a white hat with a large brim reposed on her smoothly arranged hair. The coat was cut something like an army mess-jacket and the style suited her. I dare say there are many youthful subalterns, and not the worst-looking too, who


Chance