| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man against the Sky by Edwin Arlington Robinson: "The Burning Book"; "Theophilus"; "Ben Jonson Entertains
a Man from Stratford".
Contents
Flammonde
The Gift of God
The Clinging Vine
Cassandra
John Gorham
Stafford's Cabin
Hillcrest
Old King Cole
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Underdogs by Mariano Azuela: vantes' feet.
Demetrio, lying on the rug, seemed to be asleep; Cer-
vantes, who had watched everything with profound in-
difference, pulled the box closer to him with his foot, and
stooping to scratch his ankle, swiftly picked it up. Some-
thing gleamed up at him, dazzling. It was two pure-water
diamonds mounted in filigreed platinum. Hastily he thrust
them inside his coat pocket.
When Demetrio awoke, Cervantes said:
"General, look at the mess these boys have made
here. Don't you think it would be advisable to forbid this
 The Underdogs |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters: peculiar emphasis, concerning one of the pieces, 'This is better
than all!' - I looked up, curious to see which it was, and, to my
horror, beheld him complacently gazing at the back of the picture:-
it was his own face that I had sketched there and forgotten to rub
out! To make matters worse, in the agony of the moment, I
attempted to snatch it from his hand; but he prevented me, and
exclaiming, 'No - by George, I'll keep it!' placed it against his
waistcoat and buttoned his coat upon it with a delighted chuckle.
Then, drawing a candle close to his elbow, he gathered all the
drawings to himself, as well what he had seen as the others, and
muttering, 'I must look at both sides now,' he eagerly commenced an
 The Tenant of Wildfell Hall |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Story of an African Farm by Olive Schreiner: conscious without looking of that broad green earth; it made his work
pleasant to him. Near the shadow at the gable the mother of the little
nigger stood churning. Slowly she raised and let fall the stick in her
hands, murmuring to herself a sleepy chant such as her people love; it
sounded like the humming of far-off bees.
A different life showed itself in the front of the house, where Tant
Sannie's cart stood ready inspanned and the Boer-woman herself sat in the
front room drinking coffee.
She had come to visit her stepdaughter, probably for the last time, as she
now weighed two hundred and sixty pounds, and was not easily able to move.
On a chair sat her mild young husband nursing the baby--a pudding-faced,
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