| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Eugenie Grandet by Honore de Balzac: father, giving her one of those hungry tigerish looks he doubtless
threw upon his piles of gold.
"But, monsieur," said Nanon, "who wouldn't feel pity for the poor
young man, sleeping there like a wooden shoe, without knowing what's
coming?"
"I didn't speak to you, Nanon. Hold your tongue!"
Eugenie learned at that moment that the woman who loves must be able
to hide her feelings. She did not answer.
"You will say nothing to him about it, Ma'ame Grandet, till I return,"
said the old man. "I have to go and straighten the line of my hedge
along the high-road. I shall be back at noon, in time for the second
 Eugenie Grandet |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Little Women by Louisa May Alcott: booty, but nearly left behind her what was far more precious
than the moneybags.
She took to writing sensation stories, for in those dark
ages, even all-perfect America read rubbish. She told no one,
but concocted a `thrilling tale', and boldly carried it herself
to Mr. Dashwood, editor of the Weekly Volcano. She had
never read Sartor Resartus, but she had a womanly instinct
that clothes possess an influence more powerful over many
than the worth of character or the magic of manners. So she
dressed herself in her best, and trying to persuade herself
that she was neither excited nor nervous, bravely climbed two
 Little Women |