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Today's Stichomancy for James Cameron

The first excerpt represents the past or something you must release, and is drawn from The Land of Footprints by Stewart Edward White:

example. It is built up in youth by chance reading and chance pictures, and does as well as a pink place on the map to stand for a part of the world concerning which we know nothing at all. As time goes on we extend, expand, and modify this picture in the light of what knowledge we may acquire. So the reading of many books modifies and expands our first crude notions of Equatorial Africa. And the result is, if we read enough of the sort I describe above, we build the idea of an exciting, dangerous, extra-human continent, visited by half-real people of the texture of the historical-fiction hero, who have strange and interesting adventures which we could not possibly imagine happening to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Baby Mine by Margaret Mayo:

restaurant."

"Oh, you do, do you?" answered Jimmy shaking his fist at her across the foot of the bed. For the want of adequate words to express his further feelings, Jimmy was beginning to jibber, when the outer door was heard to close, and he turned to behold Aggie entering hurriedly with something partly concealed by her long cape.

"It's all right," explained Aggie triumphantly to Zoie. "I've got it." She threw her cape aside and disclosed the fruits of her conquest.

"So," snorted Jimmy in disgust, slightly miffed by the apparent

The third excerpt represents the future or something you must embrace, and is drawn from The Rig Veda:

fires aflame.

8 O Maruts, Visinu, Asvins, Pusan, haste away with minds turned hitherward to Me. Let the Strong Indra, famed as Vrtra's slayer, come first with the winners of the spoil.

9 Ye Guileless Gods, bestow on us a refuge strong on every side, A sure protection, Vasus, unassailable from near at hand or from afar.

10 Kinship have I with you, and close alliance O ye Gods, destroyers


The Rig Veda