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Today's Stichomancy for James Gandolfini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mother by Owen Wister:

productions nearly every week until the following January before a second acceptance came. It was twenty five dollars this time, and almost made me feel again that I could handsomely support Ethel. But not quite. After the first charming elation at earning money with my pen, those weeks of refusal had caused me to think more soberly. And though I was now bent upon becoming an author and leaving Nassau Street, I burned no bridges behind me, but merely filled my spare hours with writing and with showing it to Ethel."

"It was now that the second area of perturbation of my life came to me. I say the second, because the first had been the recent dawning belief that Ethel thought about me when I was not there to remind her of myself. This

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Death of the Lion by Henry James:

awfully to the rash footfall - I mean the casual remark - in the cold Valhalla of her memory. Mrs. Wimbush delights in her wit and says there's nothing so charming as to hear Mr. Paraday draw it out. He's perpetually detailed for this job, and he tells me it has a peculiarly exhausting effect. Every one's beginning - at the end of two days - to sidle obsequiously away from her, and Mrs. Wimbush pushes him again and again into the breach. None of the uses I have yet seen him put to infuriate me quite so much. He looks very fagged and has at last confessed to me that his condition makes him uneasy - has even promised me he'll go straight home instead of returning to his final engagements in town. Last

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

in a voice that sent the cold shudders through the girl's slight frame answered the far-off cry.

Once again the beaters took up their drumming and the slow dance went on. There was a certain fascination in the savage ceremony that held the girl spellbound, and as there seemed little likelihood of her being discovered, she felt that she might as well remain the balance of the night in her tree and r‚sum‚ her flight by the comparatively greater safety of daylight.

Assuring herself that her packet of papers was safe she sought as comfortable a position as possible among the


Tarzan the Untamed
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

half a dozen men and boys who were standing opposite. An elderly man was moving slowly up and down the road, holding with both hands a forked twig of hazel, shaped like the letter Y inverted. With his palms turned upward, he held in each hand a branch of the twig in such a way that the shank pointed upward; but every few moments, as he halted over a certain spot, the twig would gradually bend downwards until it had assumed the likeness of a Y in its natural position, where it would remain pointing to something in the ground beneath. One by one the bystanders proceeded to try the experiment, but with no variation in the result. Something in the ground


Myths and Myth-Makers