Today's Stichomancy for James Gandolfini
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Aeneid by Virgil: Proclaims his private injuries aloud,
A solemn promise made, and disavow'd;
A foreign son is sought, and a mix'd mungril brood.
Then they, whose mothers, frantic with their fear,
In woods and wilds the flags of Bacchus bear,
And lead his dances with dishevel'd hair,
Increase the clamor, and the war demand,
(Such was Amata's interest in the land,)
Against the public sanctions of the peace,
Against all omens of their ill success.
With fates averse, the rout in arms resort,
Aeneid |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Lover's Complaint by William Shakespeare: And, true to bondage, would not break from thence,
Though slackly braided in loose negligence.
A thousand favours from a maund she drew
Of amber, crystal, and of beaded jet,
Which one by one she in a river threw,
Upon whose weeping margent she was set;
Like usury applying wet to wet,
Or monarchs' hands, that lets not bounty fall
Where want cries 'some,' but where excess begs all.
Of folded schedules had she many a one,
Which she perus'd, sigh'd, tore, and gave the flood;
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Waste Land by T. S. Eliot: With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten, 10
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm' aus Litauen, echt deutsch.
And when we were children, staying at the archduke's,
My cousin's, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.
What are the roots that clutch, what branches grow
The Waste Land |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Four Arthurian Romances by Chretien DeTroyes: how brave you are, and it will become apparent whether your
escort can protect me. If you can protect me now, I shall not
fail to proclaim that you are brave and very worthy." And he
answered her: "Go on, go on!" which was as much as to say: "I am
not concerned; there is no need of your being worried about what
you have said."
(Vv. 1553-1660.) While they were proceeding, talking thus, the
knight, who was alone, rode rapidly toward them on the run. He
was the more eager to make haste, because he felt more sure of
success; he felt that he was lucky now to see her whom he most
dearly loves. As soon as he approaches her, he greets her with
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