Today's Stichomancy for James Joyce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

put out and follow roughly the "single line ahead" formation. Upon sighting the enemy there is the manoeuvring for position advantage which must accrue to the speedier protagonist. One then, witnesses what might almost be described as an application of the process of capping the line or "crossing the 'T.'" This tends to throw the slower squadron into confusion by bending it back upon itself, meanwhile exposing it to a demoralizing fire.

The analogy is not precisely correct but sufficiently so to indicate that aerial battles will be fought much upon the same lines, as engagements between vessels upon the water. If the manoeuvres accomplish nothing beyond breaking up and scattering

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ozma of Oz by L. Frank Baum:

be unable to hear a sound until some new ones were made for him. Also his left knee was cracked, and had to be bound up with a string.

Billina having fluttered under the hammer, it now remained only to rescue the private who was riding upon the iron giant's arm, high in the air.

The Scarecrow lay flat upon the ground and called to the man to jump down upon his body, which was soft because it was stuffed with straw. This the private managed to do, waiting until a time when he was nearest the ground and then letting himself drop upon the Scarecrow. He accomplished the feat without breaking any bones, and the Scarecrow declared he was not injured in the least.

Ozma of Oz

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Shadow Line by Joseph Conrad:

the hot glare.

The watch finished washing decks. I went be- low and stopped at Mr. Burns' door (he could not bear to have it shut), but hesitated to speak to him till he moved his eyes. I gave him the news.

"Sighted Cape Liant at daylight. About fifteen miles."

He moved his lips then, but I heard no sound till I put my ear down, and caught the peevish comment: "This is crawling. . . . No luck."

"Better luck than standing still, anyhow," I

The Shadow Line

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Agesilaus by Xenophon:

these ancestors no private persons, but kings sprung from the loins of kings. Nor is it open to the gainsayer to contend that they were kings indeed but of some chance city. Not so, but even as their family holds highest honour in their fatherland, so too is their city the most glorious in Hellas, whereby they hold, not primacy over the second best, but among leaders they have leadership.

[1] Or, "even to-day, in the proud bead-roll of his ancestry he stands commemorated, in numerical descent from Heracles."

And herein it is open to us to praise both his fatherland and his family. It is notable that never throughout these ages has Lacedaemon, out of envy of the privilege accorded to her kings, tried to dissolve