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Today's Stichomancy for James Joyce

The first excerpt represents the past or something you must release, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville:

forefathers which we have abandoned. The spell of royalty is broken, but it has not been succeeded by the majesty of the laws; the people has learned to despise all authority, but fear now extorts a larger tribute of obedience than that which was formerly paid by reverence and by love.

I perceive that we have destroyed those independent beings which were able to cope with tyranny single-handed; but it is the Government that has inherited the privileges of which families, corporations, and individuals have been deprived; the weakness of the whole community has therefore succeeded that influence of a small body of citizens, which, if it was sometimes oppressive,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum:

each corner.

3. The Arrival Of The Wizard

The doorway of the glass palace was quite big enough for the horse and buggy to enter, so Zeb drove straight through it and the children found themselves in a lofty hall that was very beautiful. The people at once followed and formed a circle around the sides of the spacious room, leaving the horse and buggy and the man with the star to occupy the center of the hall.

"Come to us, oh, Gwig!" called the man, in a loud voice.

Instantly a cloud of smoke appeared and rolled over the floor; then it slowly spread and ascended into the dome, disclosing a strange


Dorothy and the Wizard in Oz
The third excerpt represents the future or something you must embrace, and is drawn from Eve and David by Honore de Balzac:

her son, spoke of all her fears, and asked him for the truth. In a moment Eve heard of her brother's connection with the actress Coralie, of his duel with Michel Chrestien, arising out of his own treacherous behavior to Daniel d'Arthez; she received, in short, a version of Lucien's history, colored by the personal feeling of a clever and envious dandy. Rastignac expressed sincere admiration for the abilities so terribly compromised, and a patriotic fear for the future of a native genius; spite and jealousy masqueraded as pity and friendliness. He spoke of Lucien's blunders. It seemed that Lucien had forfeited the favor of a very great person, and that a patent conferring the right to bear the name and arms of Rubempre had