| The first excerpt represents the past or something you must release, and is drawn from Silas Marner by George Eliot: on her that must stand before every other."
Eppie had given a violent start, and turned quite pale. Silas, on
the contrary, who had been relieved, by Eppie's answer, from the
dread lest his mind should be in opposition to hers, felt the spirit
of resistance in him set free, not without a touch of parental
fierceness. "Then, sir," he answered, with an accent of
bitterness that had been silent in him since the memorable day when
his youthful hope had perished--"then, sir, why didn't you say so
sixteen year ago, and claim her before I'd come to love her, i'stead
o' coming to take her from me now, when you might as well take the
heart out o' my body? God gave her to me because you turned your
Silas Marner |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Vicar of Tours by Honore de Balzac: persistence with which Mademoiselle Gamard pursued him, returned to
the dining-room with his face so convulsed that everybody cried out
when they saw him: "What IS the matter, Monsieur Birotteau?"
The abbe, in despair, sat down without a word, so crushed was he by
the vague presence of approaching disaster. But after breakfast, when
his friends gathered round him before a comfortable fire, Birotteau
naively related the history of his troubles. His hearers, who were
beginning to weary of the monotony of a country-house, were keenly
interested in a plot so thoroughly in keeping with the life of the
provinces. They all took sides with the abbe against the old maid.
"Don't you see, my dear friend," said Madame de Listomere, "that the
|
The third excerpt represents the future or something you must embrace, and is drawn from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson: we were keeping the women off him as best we could for they were
as wild as harpies. I never saw a circle of such hateful faces;
and there was the man in the middle, with a kind of black sneering
coolness--frightened too, I could see that--but carrying it
off, sir, really like Satan. `If you choose to make capital out
of this accident,' said he, `I am naturally helpless. No
gentleman but wishes to avoid a scene,' says he. `Name your
figure.' Well, we screwed him up to a hundred pounds for the
child's family; he would have clearly liked to stick out; but
there was something about the lot of us that meant mischief, and
at last he struck. The next thing was to get the money; and where
The Strange Case of Dr. Jekyll and Mr. Hyde |
