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Today's Stichomancy for Jane Seymour

The first excerpt represents the past or something you must release, and is drawn from The Snow Image by Nathaniel Hawthorne:

were attracted from them to a person who stood near the door, holding whispered conversation with a group of ill-dressed associates. His features were separately striking almost to grotesqueness, and the whole face left a deep impression on the memory. The forehead bulged out into a double prominence, with a vale between; the nose came boldly forth in an irregular curve, and its bridge was of more than a finger's breadth; the eyebrows were deep and shaggy, and the eyes glowed beneath them like fire in a cave.

While Robin deliberated of whom to inquire respecting his kinsman's dwelling, he was accosted by the innkeeper, a little


The Snow Image
The second excerpt represents the present or the deciding factor of the moment, and is drawn from In Darkest England and The Way Out by General William Booth:

parish doctor or the great hospital, and receive an odd word or two of advice, with a bottle of physic which may or may not be of service. But if his circumstances are sick, out of order, in danger of carrying him to utter destitution, or to prison, or to the Union, he has no one to appeal to who has the willingness or the ability to help him.

Now, we want to create a Court of Counsel or Appeal, to which anyone suffering from imposition having to do with person, liberty, or property, or anything else of sufficient importance, can apply, and obtain not only advice, but practical assistance.

Among others for whom this Court would be devised is the shamefully-neglected class of Widows, of whom in the East of London


In Darkest England and The Way Out
The third excerpt represents the future or something you must embrace, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

But I wished at that moment that she would not haunt me so persistently, and that I could get rid of the feeling that she was just behind in her galoshes, with her hand stretched out to seize me. <79>

Passing the arbour, and peering into its damp recesses, I started back with my heart in my mouth. I thought I saw my grandfather's stern eyes shining in the darkness. It was evident that my anxiety lest the cousins should catch me had quite upset my nerves, for I am not by nature inclined to see eyes where eyes are not. "Don't be foolish, Elizabeth," murmured my soul in rather a faint voice, "go in, and make sure." "But I don't like going


Elizabeth and her German Garden