| The first excerpt represents the past or something you must release, and is drawn from Adam Bede by George Eliot: hungry and restless, but would not leave his master, and was
waiting impatiently for some change in the scene. It was owing to
this feeling on Gyp's part that, when Lisbeth came into the
workshop and advanced towards Adam as noiselessly as she could,
her intention not to awaken him was immediately defeated; for
Gyp's excitement was too great to find vent in anything short of a
sharp bark, and in a moment Adam opened his eyes and saw his
mother standing before him. It was not very unlike his dream, for
his sleep had been little more than living through again, in a
fevered delirious way, all that had happened since daybreak, and
his mother with her fretful grief was present to him through it
Adam Bede |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Heart of the West by O. Henry: 'and select an instrument for her myself.'
"'Wouldn't it be better,' I suggests, 'to take Marilla along and let
her pick out one that she likes?'
"I might have known that would set Uncle Cal going. Of course, a man
like him, that knew everything about everything, would look at that as
a reflection on his attainments.
"'No, sir, it wouldn't,' says he, pulling at his white whiskers.
'There ain't a better judge of musical instruments in the whole world
than what I am. I had an uncle,' says he, 'that was a partner in a
piano-factory, and I've seen thousands of 'em put together. I know all
about musical instruments from a pipe-organ to a corn-stalk fiddle.
Heart of the West |
The third excerpt represents the future or something you must embrace, and is drawn from Cratylus by Plato: was probably also the first who made a distinction between simple and
compound words, a truth second only in importance to that which has just
been mentioned. His great insight in one direction curiously contrasts
with his blindness in another; for he appears to be wholly unaware (compare
his derivation of agathos from agastos and thoos) of the difference between
the root and termination. But we must recollect that he was necessarily
more ignorant than any schoolboy of Greek grammar, and had no table of the
inflexions of verbs and nouns before his eyes, which might have suggested
to him the distinction.
(4) Plato distinctly affirms that language is not truth, or 'philosophie
une langue bien faite.' At first, Socrates has delighted himself with
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