Today's Stichomancy for Jennifer Aniston

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from All's Well That Ends Well by William Shakespeare:

Must answer for your raising? I know her well; She had her breeding at my father's charge: A poor physician's daughter my wife!--Disdain Rather corrupt me ever!

KING. 'Tis only title thou disdain'st in her, the which I can build up. Strange is it that our bloods, Of colour, weight, and heat, pour'd all together, Would quite confound distinction, yet stand off In differences so mighty. If she be All that is virtuous,--save what thou dislik'st,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Elixir of Life by Honore de Balzac:

"You are insulting the majesty of Hell," shouted Don Juan, gnashing his teeth. In another moment the living arm struggled out of the reliquary, and was brandished over the assembly in mockery and despair.

"The saint is blessing us," cried the old women, children, lovers, and the credulous among the crowd.

And note how often we are deceived in the homage we pay; the great man scoffs at those who praise him, and pays compliments now and again to those whom he laughs at in the depths of his heart.

Just as the Abbot, prostrate before the altar, was chanting

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Rivers by Henry van Dyke:

exhibition was demanded only twice. Once a river guardian, who was walking down the stream with a Belgian Baron and encouraging him to continue fishing, climbed out to me on the end of a long embankment, and with proper apologies begged to be favoured with a view of my document. It turned out that his request was a favour to me, for it discovered the fact that I had left my fly-book, with the pink card in it, beside an old mill, a quarter of a mile up the stream.

Another time I was sitting beside the road, trying to get out of a very long, wet, awkward pair of wading-stockings, an occupation which is unfavourable to tranquillity of mind, when a man came up

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Footnote to History by Robert Louis Stevenson:

park for the holiday schoolboy, of a granary for mice. We must add the yet more lively allurement of a haunted house, for over these empty and silent miles there broods the fear of the negrito cannibal. For the Samoan besides, there is something barbaric, unhandsome, and absurd in the idea of thus growing food only to send it from the land and sell it. A man at home who should turn all Yorkshire into one wheatfield, and annually burn his harvest on the altar of Mumbo-Jumbo, might impress ourselves not much otherwise. And the firm which does these things is quite extraneous, a wen that might be excised to-morrow without loss but to itself; few natives drawing from it so much as day's wages; and