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Today's Stichomancy for Jennifer Connelly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

formerly were, or that high-breeding then was of more difficult attainment than that which is now so called, and consequently entitled the successful professor to a proportional degree of plenary indulgences and privileges. No beau of this day could have borne out so ugly a story as that of Pretty Peggy Grindstone, the miller's daughter at Sillermills--it had well- nigh made work for the Lord Advocate. But it hurt Sir Philip Forester no more than the hail hurts the hearthstone. He was as well received in society as ever, and dined with the Duke of A--- the day the poor girl was buried. She died of heartbreak. But that has nothing to do with my story.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Menexenus by Plato:

been often made, that in the Funeral Oration of Thucydides there is no allusion to the existence of the dead. But in the Menexenus a future state is clearly, although not strongly, asserted.

Whether the Menexenus is a genuine writing of Plato, or an imitation only, remains uncertain. In either case, the thoughts are partly borrowed from the Funeral Oration of Thucydides; and the fact that they are so, is not in favour of the genuineness of the work. Internal evidence seems to leave the question of authorship in doubt. There are merits and there are defects which might lead to either conclusion. The form of the greater part of the work makes the enquiry difficult; the introduction and the finale certainly wear the look either of Plato or of an extremely skilful

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Voyage Out by Virginia Woolf:

She turned him out of the room, and they could hear him groaning and swearing as he went along the passage.

"I daresay he isn't very strong," said Mrs. Chailey, looking at Mrs. Ambrose compassionately, as she helped to shift and carry.

"It's books," sighed Helen, lifting an armful of sad volumes from the floor to the shelf. "Greek from morning to night. If ever Miss Rachel marries, Chailey, pray that she may marry a man who doesn't know his ABC."

The preliminary discomforts and harshnesses, which generally make the first days of a sea voyage so cheerless and trying to the temper, being somehow lived through, the succeeding days passed pleasantly enough.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Message by Honore de Balzac:

without shedding a tear, leaning her face towards me, as some zealous doctor might lean to watch any change in a patient's face. When she seemed to me to have opened her whole heart to pain, to be deliberately plunging herself into misery with the first delirious frenzy of despair, I caught at my opportunity, and told her of the fears that troubled the poor dying man, told her how and why it was that he had given me this fatal message. Then her tears were dried by the fires that burned in the dark depths within her. She grew even paler. When I drew the letters from beneath my pillow and held them out to her, she took them mechanically; then, trembling from head to foot, she said in a