Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Jennifer Garner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Recruit by Honore de Balzac:

man told the countess of the rumors that were floating about the town, and the dangers to which she was exposing herself.

"For," he said in conclusion, "though some of the authorities will readily pardon a heroism which protects a priest, none of them will spare you if they discover that you are sacrificing yourself to the interests of your heart."

At these words Madame de Dey looked at the old man with a wild and bewildered air, that made him shudder.

"Come," she said, taking him by the hand and leading him into her bedroom. After assuring herself that they were quite alone, she drew from her bosom a soiled and crumpled letter.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wizard of Oz by L. Frank Baum:

taking the dog in her arms followed the green girl through seven passages and up three flights of stairs until they came to a room at the front of the Palace. It was the sweetest little room in the world, with a soft comfortable bed that had sheets of green silk and a green velvet counterpane. There was a tiny fountain in the middle of the room, that shot a spray of green perfume into the air, to fall back into a beautifully carved green marble basin. Beautiful green flowers stood in the windows, and there was a shelf with a row of little green books. When Dorothy had time to open these books she found them full of queer green pictures that made her laugh, they were so funny.


The Wizard of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Menexenus by Plato:

genuineness: (1) That is most certainly Plato's which Aristotle attributes to him by name, which (2) is of considerable length, of (3) great excellence, and also (4) in harmony with the general spirit of the Platonic writings. But the testimony of Aristotle cannot always be distinguished from that of a later age (see above); and has various degrees of importance. Those writings which he cites without mentioning Plato, under their own names, e.g. the Hippias, the Funeral Oration, the Phaedo, etc., have an inferior degree of evidence in their favour. They may have been supposed by him to be the writings of another, although in the case of really great works, e.g. the Phaedo, this is not credible; those again which are quoted but not named, are still more defective in their external

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Alkahest by Honore de Balzac:

blame. Men of talent are as variable as barometers; genius alone is intrinsically good.

For this reason unalloyed happiness is found at the two extremes of the moral scale. The good-natured fool and the man of genius alone are capable--the one through weakness, the other by strength--of that equanimity of temper, that unvarying gentleness, which soften the asperities of daily life. In the one, it is indifference or stolidity; in the other, indulgence and a portion of the divine thought of which he is the interpreter, and which needs to be consistent alike in principle and application. Both natures are equally simple; but in one there is vacancy, in the other depth. This is why clever women are