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Today's Stichomancy for Jennifer Love Hewitt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Emma by Jane Austen:

about the kingdom, is even carried wrong--and not one in a million, I suppose, actually lost! And when one considers the variety of hands, and of bad hands too, that are to be deciphered, it increases the wonder."

"The clerks grow expert from habit.--They must begin with some quickness of sight and hand, and exercise improves them. If you want any farther explanation," continued he, smiling, "they are paid for it. That is the key to a great deal of capacity. The public pays and must be served well."

The varieties of handwriting were farther talked of, and the usual observations made.


Emma
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

priest's land and they could not cross it, in another Ivan Ionov had bought a plot from the landowner and had dug a ditch round it. They kept having to turn back.

They reached Nizhneye Gorodistche. Near the tavern on the dung-strewn earth, where the snow was still lying, there stood wagons that had brought great bottles of crude sulphuric acid. There were a great many people in the tavern, all drivers, and there was a smell of vodka, tobacco, and sheepskins. There was a loud noise of conversation and the banging of the swing-door. Through the wall, without ceasing for a moment, came the sound of a concertina being played in the shop. Marya Vassilyevna


The Schoolmistress and Other Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

his teeth--just like a dog, thought Viola. He made a rush at her, and held her against the wall--pressed upon her with all the weight of his body. This time she could not get free.

"I won't kiss you. I won't. Stop doing that Ugh! you're like a dog--you ought to find lovers round lamp-posts--you beast--you fiend!"

He did not answer. With an expression of the most absurd determination he pressed ever more heavily upon her. He did not even look at her--but rapped out in a sharp voice: "Keep quiet--keep quiet."

"Gar--r! Why are men so strong?" She began to cry. "Go away--I don't want you, you dirty creature. I want to murder you. Oh, my God! if I had a knife."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

kitchen, and went out.

"Be you going to plow the south field?" Myrtle said, faintly.

"No, I ain't."

"Will you be back to dinner?"

"I don't know -- you needn't worry if I'm not." Suddenly Christopher did an unusual thing for him. He and Myrtle had lived together for years, and out- ward manifestations of affection were rare between them. He put his arm around her and kissed her.

After he had gone, Myrtle watched him out of