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Today's Stichomancy for Jerry Seinfeld

The first excerpt represents the past or something you must release, and is drawn from My Bondage and My Freedom by Frederick Douglass:

and dangers endured by the earlier workers for the slave's release. I soon, however, found that my enthusiasm had been extravagant; that hardships and dangers were not yet passed; and that the life now before me, had shadows as well as sunbeams.

Among the first duties assigned me, on entering the ranks, was to travel, in company with Mr. George Foster, to secure subscribers to the _Anti-slavery Standard_ and the _Liberator_. With <281 MATTER OF THE SPEECH>him I traveled and lectured through the eastern counties of Massachusetts. Much interest was awakened-- large meetings assembled. Many came, no doubt, from curiosity to hear what a Negro could say in his own cause. I was generally


My Bondage and My Freedom
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Peter Pan by James M. Barrie:

He had to translate. "She is not very polite. She says you are a great [huge] ugly girl, and that she is my fairy.

He tried to argue with Tink. "You know you can't be my fairy, Tink, because I am an gentleman and you are a lady."

To this Tink replied in these words, "You silly ass," and disappeared into the bathroom. "She is quite a common fairy," Peter explained apologetically, "she is called Tinker Bell because she mends the pots and kettles [tinker = tin worker]." [Similar to "cinder" plus "elle" to get Cinderella]

They were together in the armchair by this time, and Wendy plied him with more questions.


Peter Pan
The third excerpt represents the future or something you must embrace, and is drawn from From London to Land's End by Daniel Defoe:

(however poor) receive all the good they can expect, and are sure to have no injury or oppression.

The canal before the house lies parallel with the road, and receives into it the whole river Willy, or at least is able to do so; it may, indeed, be said that the river is made into a canal. When we come into the courtyards before the house there are several pieces of antiquity to entertain the curious, as particularly a noble column of porphyry, with a marble statue of Venus on the top of it. In Italy, and especially at Rome and Naples, we see a great variety of fine columns, and some of them of excellent workmanship and antiquity; and at some of the courts of the princes of Italy