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Today's Stichomancy for Jerry Seinfeld

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Mirth by Edith Wharton:

received it in a manner almost inconsequent. She seemed to have lost sight of her friend's part in the incident: her inward vision had taken another slant.

"Bertha never turned up at all? Then how on earth did she get back?"

"Oh, by the next train, I suppose; there were two extra ones for the FETE. At any rate, I know she's safe on the yacht, though I haven't yet seen her; but you see it was not my fault," Lily summed up.

"Not your fault that Bertha didn't turn up? My poor child, if only you don't have to pay for it!" Mrs. Fisher rose--she had

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Horse's Tale by Mark Twain:

of fire with my teeth; and I've done it, too; at least I've dragged HIM out of the battle when he was wounded. And not just once, but twice. Yes, I know a lot of things. I remember forms, and gaits, and faces; and you can't disguise a person that's done me a kindness so that I won't know him thereafter wherever I find him. I know the art of searching for a trail, and I know the stale track from the fresh. I can keep a trail all by myself, with Buffalo Bill asleep in the saddle; ask him - he will tell you so. Many a time, when he has ridden all night, he has said to me at dawn, "Take the watch, Boy; if the trail freshens, call me." Then he goes to sleep. He knows he can trust me, because I have a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

men held on it, the value of such happiness as might be for the hours that remained. She was a woman now, for all her slim young body and her charm of youth. Values had changed. To love, and to show that love, to cheer, to comfort and help - that was necessary, because soon the chance might be gone, and there would be long aching years of regret.

So she kissed him gravely and looked up into his eyes, her own full of tears.

"God bless and keep you, dear Henri," she said.

Then she went back to her work.

XXII

Much of Sara Lee's life at home had faded. She seemed to be two people.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Unsocial Socialist by George Bernard Shaw:

more food to enable him to do his work than the ploughman to enable him to do his. He talks of the higher quality of his work, as if the higher quality of it were of his own making--as if it gave him a right to work less for his neighbor than his neighbor works for him--as if the ploughman could not do better without him than he without the ploughman--as if the value of the most celebrated pictures has not been questioned more than that of any straight furrow in the arable world--as if it did not take an apprenticeship of as many years to train the hand and eye of a mason or blacksmith as of an artist--as if, in short, the fellow were a god, as canting brain worshippers have for years past been