| The first excerpt represents the past or something you must release, and is drawn from King Lear by William Shakespeare: My love should kindle to inflam'd respect.
Thy dow'rless daughter, King, thrown to my chance,
Is queen of us, of ours, and our fair France.
Not all the dukes in wat'rish Burgundy
Can buy this unpriz'd precious maid of me.
Bid them farewell, Cordelia, though unkind.
Thou losest here, a better where to find.
Lear. Thou hast her, France; let her be thine; for we
Have no such daughter, nor shall ever see
That face of hers again. Therefore be gone
Without our grace, our love, our benison.
King Lear |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dream Life and Real Life by Olive Schreiner: dark.
"I cannot help them now!" she cried, and sank down on the ground, with her
little hands clasped before her.
...
"Awake, awake!" said the farmer's wife; "I hear a strange noise; something
calling, calling, calling!"
The man rose, and went to the window.
"I hear it also," he said; "surely some jackal's at the sheep. I will load
my gun and go and see."
"It sounds to me like the cry of no jackal," said the woman; and when he
was gone she woke her daughter.
|
The third excerpt represents the future or something you must embrace, and is drawn from The Hunting of the Snark by Lewis Carroll: Not a chance must be wasted to-day!
"For England expects--I forbear to proceed:
'Tis a maxim tremendous, but trite:
And you'd best be unpacking the things that you need
To rig yourselves out for the fight."
Then the Banker endorsed a blank check (which he crossed),
And changed his loose silver for notes.
The Baker with care combed his whiskers and hair,
And shook the dust out of his coats.
The Boots and the Broker were sharpening a spade--
Each working the grindstone in turn:
The Hunting of the Snark |
