The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Research Magnificent by H. G. Wells: is an indecent trick, a vile use of life! To use inferiors in love
one must needs talk down to them, interpret oneself in their
insufficient phrases, pretend, sentimentalize. And it is clear that
unless oneself is to be lost, one must be content to leave alone all
those people that one can reach only by sentimentalizing. But
Amanda--and yet somehow I love her for it still--could not leave any
one alone. So she was always feverishly weaving nets of false
relationship. Until her very self was forgotten. So she will go on
until the end. With Easton it had been necessary for her to key
herself to a simple exalted romanticism that was entirely insincere.
She had so accustomed herself to these poses that her innate
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Another Study of Woman by Honore de Balzac: favorite attitude, to look at the Minister. Need it be said that the
servants had left, that the doors were shut, and the curtains drawn
over them? The silence was so complete that the murmurs of the
coachmen's voices could be heard from the courtyard, and the pawing
and champing made by horses when asking to be taken back to their
stable.
"The statesman, my friends, exists by one single quality," said the
Minister, playing with his gold and mother-of-pearl dessert knife. "To
wit: the power of always being master of himself; of profiting more or
less, under all circumstances, by every event, however fortuitous; in
short, of having within himself a cold and disinterested other self,
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