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Today's Stichomancy for Jessica Simpson

The first excerpt represents the past or something you must release, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

the markings of a block of wood that has been sawed across the grain, and the dullest eye could detect at a glance, and at a distance of many feet, that no two of the patterns were alike. When Wilson had at last finished his tedious and difficult work, he arranged his results according to a plan in which a progressive order and sequence was a principal feature; then he added to the batch several pantograph enlargements which he had made from time to time in bygone years.

The night was spent and the day well advanced now. By the time he had snatched a trifle of breakfast, it was nine o'clock, and the court was ready to begin its sitting. He was in his

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Merry Men by Robert Louis Stevenson:

pomegranates. At a second look it was her beauty of person that took hold of me. As she sat back - watching me, I thought, though with invisible eyes - and wearing at the same time an expression of almost imbecile good-humour and contentment, she showed a perfectness of feature and a quiet nobility of attitude that were beyond a statue's. I took off my hat to her in passing, and her face puckered with suspicion as swiftly and lightly as a pool ruffles in the breeze; but she paid no heed to my courtesy. I went forth on my customary walk a trifle daunted, her idol-like impassivity haunting me; and when I returned, although she was still in much the same posture, I was half surprised to see that

The third excerpt represents the future or something you must embrace, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

to excess. Thus, when the slave asks for virtuous freedom, the cunning slaveholder, knowing his ig- norance, cheats him with a dose of vicious dissi- pation, artfully labelled with the name of liberty. The most of us used to drink it down, and the result was just what might be supposed; many of us were led to think that there was little to choose between liberty and slavery. We felt, and very prop- erly too, that we had almost as well be slaves to man as to rum. So, when the holidays ended, we staggered up from the filth of our wallowing, took


The Narrative of the Life of Frederick Douglass: An American Slave