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Today's Stichomancy for Jessica Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kenilworth by Walter Scott:

matched admirably with his sharp wit; the former inducing him to plant himself as a spy on other people's affairs, and the latter quality leading him perpetually to interfere, after he had made himself master of that which concerned him not. He spent the livelong day in attempting to peer under the Countess's muffler, and apparently what he could there discern greatly sharpened his curiosity.

"That sister of thine, Wayland," he said, "has a fair neck to have been born in a smithy, and a pretty taper hand to have been used for twirling a spindle--faith, I'll believe in your relationship when the crow's egg is hatched into a cygnet."


Kenilworth
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Heritage of the Desert by Zane Grey:

"Long, strong fingers. I felt them too. He has a sharp rough wart on one hand, I don't know which. He wears a leather wristband."

"That's enough!" Hare bounded out upon the garden walk and raced back to the crowded square. The uneasy circle stirred and opened for him to enter. He stumbled over a pile of lassoes which had not been there when he left. The stony Mormons waited; the rustlers coughed and shifted their feet. John Caldwell turned a gray face. Hare bent over the three dead rustlers lying with Holderness, and after a moment of anxious scrutiny he rose to confront the line of prisoners.

"Hold out your hands."

One by one they complied. The sixth rustler in the line, a tall fellow,


The Heritage of the Desert
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Midsummer Night's Dream by William Shakespeare:

Or rather doe I not in plainest truth, Tell you I doe not, nor I cannot loue you? Hel. And euen for that doe I loue thee the more; I am your spaniell, and Demetrius, The more you beat me, I will fawne on you. Vse me but as your spaniell; spurne me, strike me, Neglect me, lose me; onely giue me leaue (Vnworthy as I am) to follow you. What worser place can I beg in your loue, (And yet a place of high respect with me) Then to be vsed as you doe your dogge


A Midsummer Night's Dream
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Last War: A World Set Free by H. G. Wells:

rails might have rusted on the disused railways by now, the telephone poles have rotted and fallen, the big liners dropped into sheet-iron in the ports; the burnt, deserted cities become the ruinous hiding-places of gangs of robbers. We might have been brigands in a shattered and attenuated world. Ah, you may smile, but that had happened before in human history. The world is still studded with the ruins of broken-down civilisations. Barbaric bands made their fastness upon the Acropolis, and the tomb of Hadrian became a fortress that warred across the ruins of Rome against the Colosseum.... Had all that possibility of reaction ended so certainly in 1940? Is it all so very far away even


The Last War: A World Set Free