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Today's Stichomancy for Jessica Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wife, et al by Anton Chekhov:

agricultural hints in calendars were his delight, his favourite spiritual sustenance; he enjoyed reading newspapers, too, but the only things he read in them were the advertisements of so many acres of arable land and a grass meadow with farm-houses and buildings, a river, a garden, a mill and millponds, for sale. And his imagination pictured the garden-paths, flowers and fruit, starling cotes, the carp in the pond, and all that sort of thing, you know. These imaginary pictures were of different kinds according to the advertisements which he came across, but for some reason in every one of them he had always to have gooseberries. He could not imagine a homestead, he could not

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War of the Worlds by H. G. Wells:

of such eye-witnesses as myself to go upon, scarcely realise that living quality.

I recall particularly the illustration of one of the first pamphlets to give a consecutive account of the war. The artist had evidently made a hasty study of one of the fighting-machines, and there his knowledge ended. He pre- sented them as tilted, stiff tripods, without either flexibility or subtlety, and with an altogether misleading monotony of effect. The pamphlet containing these renderings had a con- siderable vogue, and I mention them here simply to warn the reader against the impression they may have created.


War of the Worlds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

cried out in her pretty broken English. "Oh, how does it happen that you are here?"

"Through no choice of my own, madam, I assure you!" retorted Tony, not over-pleased by his reception.

"But why--how--how did you make this unfortunate mistake?"

"Why, madam, if you'll excuse my candour, I think the mistake was yours--"

"Mine?"

--"in sending me a letter--"

"YOU--a letter?"

--"by a simpleton of a lad, who must needs hand it to me under

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grande Breteche by Honore de Balzac:

doubt, and half-dead already, hardly moved under the bony arch of her eyebrows.--There,' he added, pointing to his own brow. 'Her forehead was clammy; her fleshless hands were like bones covered with soft skin; the veins and muscles were perfectly visible. She must have been very handsome; but at this moment I was startled into an indescribable emotion at the sight. Never, said those who wrapped her in her shroud, had any living creature been so emaciated and lived. In short, it was awful to behold! Sickness so consumed that woman, that she was no more than a phantom. Her lips, which were pale violet, seemed to me not to move when she spoke to me.

" 'Though my profession has familiarized me with such spectacles, by


La Grande Breteche