| The first excerpt represents the past or something you must release, and is drawn from Critias by Plato: citizens (20,000), 'which is about their present number' (Crit.), is
evidently designed to contrast with the myriads and barbaric array of the
Atlantic hosts. The passing remark in the Timaeus that Athens was left
alone in the struggle, in which she conquered and became the liberator of
Greece, is also an allusion to the later history. Hence we may safely
conclude that the entire narrative is due to the imagination of Plato, who
has used the name of Solon and introduced the Egyptian priests to give
verisimilitude to his story. To the Greek such a tale, like that of the
earth-born men, would have seemed perfectly accordant with the character of
his mythology, and not more marvellous than the wonders of the East
narrated by Herodotus and others: he might have been deceived into
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Emma by Jane Austen: a verbal message. "Miss Fairfax was not well enough to write;"
and when Mr. Perry called at Hartfield, the same morning,
it appeared that she was so much indisposed as to have been visited,
though against her own consent, by himself, and that she was suffering
under severe headaches, and a nervous fever to a degree, which made
him doubt the possibility of her going to Mrs. Smallridge's at the
time proposed. Her health seemed for the moment completely deranged--
appetite quite gone--and though there were no absolutely
alarming symptoms, nothing touching the pulmonary complaint,
which was the standing apprehension of the family, Mr. Perry was
uneasy about her. He thought she had undertaken more than she
 Emma |
The third excerpt represents the future or something you must embrace, and is drawn from Facino Cane by Honore de Balzac: her sister's wedding with my presence. If you are to realize what this
wedding was like you must know that I paid my charwoman, poor
creature, four francs a month; for which sum she came every morning to
make my bed, clean my shoes, brush my clothes, sweep the room, and
make ready my breakfast, before going to her day's work of turning the
handle of a machine, at which hard drudgery she earned five-pence. Her
husband, a cabinetmaker, made four francs a day at his trade; but as
they had three children, it was all that they could do to gain an
honest living. Yet I have never met with more sterling honesty than in
this man and wife. For five years after I left the quarter, Mere
Vaillant used to come on my birthday with a bunch of flowers and some
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