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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from An Episode Under the Terror by Honore de Balzac: grate. A few bits of wood in a heap in a corner bore further witness
to the poverty of the recluses. You had only to look at the coating of
paint on the walls to discover the bad condition of the roof, and the
ceiling was a perfect network of brown stains made by rain-water. A
relic, saved no doubt from the wreck of the Abbaye de Chelles, stood
like an ornament on the chimney-piece. Three chairs, two boxes, and a
rickety chest of drawers completed the list of the furniture, but a
door beside the fireplace suggested an inner room beyond.
The brief inventory was soon made by the personage introduced into
their midst under such terrible auspices. It was with a compassionate
expression that he turned to the two women; he looked benevolently at
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