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Today's Stichomancy for Jet Li

The first excerpt represents the past or something you must release, and is drawn from Faraday as a Discoverer by John Tyndall:

that counsel, and, with your permission, will illustrate its character by one or two typical instances.

In 1855, I was appointed examiner under the Council for Military Education. At that time, as indeed now, I entertained strong convictions as to the enormous utility of physical science to officers of artillery and engineers, and whenever opportunity offered, I expressed this conviction without reserve. I did not think the recognition, though considerable, accorded to physical science in those examinations at all proportionate to its importance; and this probably rendered me more jealous than I otherwise should have been of its claims.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Red Badge of Courage by Stephen Crane:

he had seen two tears leaving their trails on his mother's scarred cheeks.

Still, she had disappointed him by saying nothing whatever about returning with his shield or on it. He had privately primed himself for a beautiful scene. He had prepared certain sen- tences which he thought could be used with touching effect. But her words destroyed his plans. She had doggedly peeled potatoes and addressed him as follows: "You watch out, Henry, an' take good care of yerself in this here


The Red Badge of Courage
The third excerpt represents the future or something you must embrace, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

is killed by the sportsman, or when a young rabbit is caught by a stoat. Cattle and horses suffer great pain in silence; but when this is excessive, and especially when associated with terror, they utter fearful sounds. I have often recognized, from a distance on the Pampas, the agonized death-bellow of the cattle, when caught by the lasso and hamstrung. It is said that horses, when attacked by wolves, utter loud and peculiar screams of distress.

Involuntary and purposeless contractions of the muscles of the chest and glottis, excited in the above manner, may have first given rise to the emission of vocal sounds. But the voice is now largely used by many animals for various purposes; and habit seems to have played


Expression of Emotion in Man and Animals