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Today's Stichomancy for Jim Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

of rice powder of ordinary attire. The strange animal scent came in whiffs of redoubled intensity through the lines of banging doors. On the third story Muffat abandoned himself to the feeling of intoxication which was overpowering him. For the chorus girls' dressing room was there, and you saw a crowd of twenty women and a wild display of soaps and flasks of lavender water. The place resembled the common room in a slum lodging house. As he passed by he heard fierce sounds of washing behind a closed door and a perfect storm raging in a washhand basin. And as he was mounting up to the topmost story of all, curiosity led him to risk one more little peep through an open loophole. The room was empty, and under the flare

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

but darkness in comparison with the light."

"What do you call the light?"

"Thee, my lovely Adolphe! Thee, for whom I would give my life. All the passionate things that have been told me, and that I have inspired, I feel for thee! For a certain time I understood nothing of existence, but now I know what love is, and hitherto I have been the loved one only; for myself, I did not love. I would give up everything for you, take me away. If you like, take me as a toy, but let me be near you until you break me."

"You will have no regrets?"

"Not one"! she said, letting him read her eyes, whose golden tint was


The Girl with the Golden Eyes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Story of an African Farm by Olive Schreiner:

away. But the rest gathered up stones and mud and threw at him. At last, when he was bruised and cut, the hunter crept away into the woods. And it was evening about him."

At every word the stranger spoke the fellow's eyes flashed back on him-- yes, and yes, and yes! The stranger smiled. It was almost worth the trouble of exerting oneself, even on a lazy afternoon, to win those passionate flashes, more thirsty and desiring than the love-glances of a woman.

"He wandered on and on," said the stranger, "and the shade grew deeper. He was on the borders now of the land where it is always night. Then he stepped into it, and there was no light there. With his hands he groped;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Night and Day by Virginia Woolf:

it down emphatically. "At least, on both sides it must be understood that if either chooses to fall in love, he or she does so entirely at his own risk. Neither is under any obligation to the other. They must be at liberty to break or to alter at any moment. They must be able to say whatever they wish to say. All this must be understood."

"And they gain something worth having?" she asked.

"It's a risk--of course it's a risk," he replied. The word

was one that she had been using frequently in her arguments with herself of late.

"But it's the only way--if you think friendship worth having," he concluded.