The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum: find a way to get to the ground."
"Why don't you walk down?" asked Eureka. "I'm as hungry as the horse
is, and I want my milk."
"Will you try it, Zeb" asked the girl, turning to her companion.
Zeb hesitated. He was still pale and frightened, for this dreadful
adventure had upset him and made him nervous and worried. But he did
not wish the little girl to think him a coward, so he advanced slowly
to the edge of the roof.
Dorothy stretched out a hand to him and Zeb put one foot out and let it
rest in the air a little over the edge of the roof. It seemed firm
enough to walk upon, so he took courage and put out the other foot.
 Dorothy and the Wizard in Oz |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Les Miserables by Victor Hugo: Forget the Bishop! Forget everything! Destroy this Champmathieu, do!
That is right! Applaud yourself! So it is settled, resolved,
fixed, agreed: here is an old man who does not know what is
wanted of him, who has, perhaps, done nothing, an innocent man,
whose whole misfortune lies in your name, upon whom your name weighs
like a crime, who is about to be taken for you, who will be condemned,
who will finish his days in abjectness and horror. That is good!
Be an honest man yourself; remain Monsieur le Maire; remain honorable
and honored; enrich the town; nourish the indigent; rear the orphan;
live happy, virtuous, and admired; and, during this time, while you are
here in the midst of joy and light, there will be a man who will wear
 Les Miserables |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from I Have A Dream by Martin Luther King, Jr.: many of our white brothers, as evidenced by their presence here
today, have come to realize that their destiny is tied up with
our destiny and their freedom is inextricably bound to our
freedom. We cannot walk alone.
And as we walk, we must make the pledge that we shall march
ahead. We cannot turn back. There are those who are asking the
devotees of civil rights, "When will you be satisfied?" We can
never be satisfied as long as our bodies, heavy with the fatigue
of travel, cannot gain lodging in the motels of the highways and
the hotels of the cities. We cannot be satisfied as long as the
Negro's basic mobility is from a smaller ghetto to a larger one.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hated Son by Honore de Balzac: into his face, "that you would not oppose the continuation of our
noble race."
"You made no condition," said Etienne. "I do not know what love has to
do with race; but this I know, I love the daughter of your old friend
Beauvouloir, and the granddaughter of your friend La Belle Romaine."
"She is dead," replied the old colossus, with an air both savage and
jeering, which told only too plainly his intention of making away with
her.
A moment of deep silence followed.
The duke saw, through the half-opened door, the three ladies and
d'Artagnon. At that crucial moment Etienne, whose sense of hearing was
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