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Today's Stichomancy for Joel Grey

The first excerpt represents the past or something you must release, and is drawn from Anabasis by Xenophon:

return of the Greeks, in which Xenophon played a leading role. This occurred between 401 B.C. and March 399 B.C.

PREPARER'S NOTE

This was typed from Dakyns' series, "The Works of Xenophon," a four-volume set. The complete list of Xenophon's works (though there is doubt about some of these) is:

Work Number of books

The Anabasis 7 The Hellenica 7 The Cyropaedia 8


Anabasis
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Maid Marian by Thomas Love Peacock:

foretold a coming storm. They turned a point of the valley, and saw a light below them in the depth of the hollow, shining through a cottage-casement and dancing in its reflection on the restless stream. Robin blew his horn, which was answered from below. The cottage door opened: a boy came forth with a torch, ascended the steep, showed tokens of great delight at meeting with Robin, and lighted them down a flight of steps rudely cut in the rock, and over a series of rugged stepping-stones, that crossed the channel of the river. They entered the cottage, which exhibited neatness, comfort, and plenty, being amply enriched with pots, pans, and pipkins, and adorned with flitches of bacon and sundry similar ornaments, that gave

The third excerpt represents the future or something you must embrace, and is drawn from The Soul of Man by Oscar Wilde:

anything of the kind he would cease to be an artist. A fresh mode of Beauty is absolutely distasteful to them, and whenever it appears they get so angry, and bewildered that they always use two stupid expressions - one is that the work of art is grossly unintelligible; the other, that the work of art is grossly immoral. What they mean by these words seems to me to be this. When they say a work is grossly unintelligible, they mean that the artist has said or made a beautiful thing that is new; when they describe a work as grossly immoral, they mean that the artist has said or made a beautiful thing that is true. The former expression has reference to style; the latter to subject-matter. But they