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Today's Stichomancy for Joel Grey

The first excerpt represents the past or something you must release, and is drawn from Theaetetus by Plato:

power by which we rise above ourselves and the commonplaces of thought and life. The philosophical imagination is another name for reason finding an expression of herself in the outward world. To deprive life of ideals is to deprive it of all higher and comprehensive aims and of the power of imparting and communicating them to others. For men are taught, not by those who are on a level with them, but by those who rise above them, who see the distant hills, who soar into the empyrean. Like a bird in a cage, the mind confined to sense is always being brought back from the higher to the lower, from the wider to the narrower view of human knowledge. It seeks to fly but cannot: instead of aspiring towards perfection, 'it hovers about this lower world and the earthly nature.' It loses the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Snow Image by Nathaniel Hawthorne:

playing and prattling about it. Their mother was quite surprised at this; and the longer she looked, the more and more surprised she grew.

"What remarkable children mine are!" thought she, smiling with a mother's pride; and, smiling at herself, too, for being so proud of them. "What other children could have made anything so like a little girl's figure out of snow at the first trial? Well; but now I must finish Peony's new frock, for his grandfather is coming to-morrow, and I want the little fellow to look handsome."

So she took up the frock, and was soon as busily at work again with her needle as the two children with their snow-image. But


The Snow Image
The third excerpt represents the future or something you must embrace, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson:

for it: I shoot straight at the story.

As a story, a comedy, I think OTTO very well constructed; the echoes are very good, all the sentiments change round, and the points of view are continually, and, I think (if you please), happily contrasted. None of it is exactly funny, but some of it is smiling.

R. L. S.

Letter: TO EDMUND GOSSE

LA SOLITUDE, HYERES [SUMMER 1883].

MY DEAR GOSSE, - I have now leisurely read your volume; pretty soon, by the way, you will receive one of mine.